Recent content by EvanTheInfamous

negi as fuck. whatever. all i can say is i personally think that anything overly technical is musical masturbation, if it aint got no pocket, it cant hold no groove, and i just want to fucking headbang. see you motherfuckers at soma on new years!!!

naw im over it. it just sucks that in posting about people arguing over "pointless shit" you caused arguing about pointless shit. now you're just trying to put me down. like in the 3rd grade ohhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh!!!!!!!!!

homie, its minor style differences WITHIN A TYPE. this is a deathmetal vocal discussion, SON!! im comparing dudes with different styles and techniques to achieve the same basic result because i am in fact trying to discuss VARIOUS fucking STYLES AND TECHNIQUES TO ACHIEVE THE SAME BASIC RESULT...

sometimes its that which lacks any meaning or higher purpose whatsoever thats is the awesomest of all. im sorry but sometimes i want meaningless selfish entertainment. horror movies (at least the good ones, horror with a moral to the story? ah... gay??) sweet metal ragers flannel...

you know what fuck it i'll say it: id still bump life is peachy. there. there was even some hot shit on issues. and of course the first album. they really didnt start blowing random dick consistently until like album 5

its like shifting gears, bro. you cant be in low mode and try, using the same mechanics, to be all high and gargoylish. its a different technique, air is moving differently, your throat is shaped differently. first off, kudos on having a sweet low. i have a fairly deep voice but lows were...

you're weird, bro. im just trying to break shit down on the anatomical. when we strip away the mysteries and get technical, these things are learned and become 2nd nature. then we can achieve desired results, thus free ourselves from the yoke of "dude, idunno, i jus scream, bro". and im...

yeah, what? i mean ive read an interview where mitch said his pops got him into korn and deftones and from there he found hardcore and death metal, but i mean... i think pruning the korn branch of the tree of Suicide Silence's evolution wouldnt really stunt it's growth all that much, feel me?

care to go further into technique, man? if you could explain like anatomically whats going on when you growl that low that would be chill. and i like mitch's vox waaaaaaaaaaay better than blowjob for a cowboy or black dahlia. theirs arent that low, just grunty. i mean sure you can understand...

not necessarily. i mean EVERYTHING has some sort of meaning, but id rather write the most vague leave-it-to-your-own-interpretation ish ever and come up on the wider audience. meaning is always excluding someone man. think about it. you write christian lyrics you exclude some non-christians and...

yeah when i record i have to cup my hands and get as close as possible to the mic which is not too close what with the spitcatcher and all that. its just odd how strikingly different you sound from cd to stage. a little proximity to the mic goes a looooooooong way i guess. thanks so much for...

im over lyrics having to "meeeeeeeaaaaaaaaaaan" something. as long as the vocals are on point, which mitch's certainly are, he could be singing in straight-up mother goose nursery rhyme and my head would STILL be bangin.

http://www.myspace.com/theskyneversleepsx throw some music up there, allshallbow and lets here the super sweet mastery of all things gnarly and metal and vocal

yeah man, id have to agree. out of all the lows ever recorded ever, mitch has the gnarliest. im trying to figure it out. is he really special? does he record them a certain way (they sound different live)? what's the deal? i want mine to sound comparably gnar. yeee allshallbow prove dat ish...

yeah you guys got raped in your theprp.com review. got like a 2 out of 5 and black dahlia got a 4. BDM is chill and all but whatevs, man. i'll take brutal groove over masturbatory technicality any day of my LIFE. stay brutal, dudes. the critics shall be silenced.