Recent content by gotet10

I have the same problem. its within logic. Nothingggggg you can do :/

It keeps the subdrops from clipping the master that's already peaking at -0.1 db. You can literally make the sub drops as loud as you want to that way.

I dont mean clamping down on the limiter after you put the subdrops in. It's basically the "bootleg" way to make it sound right. Machine and Putney do this on a lot of their projects.

Master your song, then put the mastered WAV in a project and put a basic Limiter on the master bus and put the output at -0.1 and THEN put in your sub drops. You can make them as loud as you want that way.

0.o

and iZotope RX is REALLY expensive....................

Why not just use a different noise gate?

time stamp? There's lots of crazy shit in this song lol

I'll take like 12 hard kick samples and process them slightly and completely sample replace the kick with the samples I made.

I understand that! I got it to work out. Heres my first mix. https://dl.dropbox.com/u/17596348/Someone%20Somewhere%20Yeah.mp3 Fixed it. I didn't like it. https://dl.dropbox.com/u/17596348/Someone%20Somewhere%202.mp3

Is there anyway you can merge all the drums into one midi track and bounce it? it's tripping out logic the way you did it for some reason.

I'm gonna do this. Thanks dude!

It's just as bad here now lol

Yeah, I'm pretty fluent on kontakt and I didn't know wtf to do with the Alt samples

I do 2 bass tracks. One grind 500hz-4khz and one sub [(50-80hz)-500hz] I use SVX to get a good sub tone with lots of low mids, and I use LeXTAC and an Orange cab impulse for the grind track. Blend them together and send them to a bus with eq, a multiband compressor sidechained to the kick and...