Recent content by JGolden

Nick and I are both managed by the same guy at Thrust Management, and I heard from him that Nick is indeed working on this record. Congrats man, it's a great opportunity.

Here's my mix, hope you dig it. http://dl.dropbox.com/u/1868665/CullodenMoor_Mix1.mp3

I just used these in a new production of mine blended with some Slate and real kit samples. Really great stuff! http://dl.dropbox.com/u/1868665/Refinement_MasterMP3.mp3

Along with the escape key, which cycles through the edit tools.

E!

Thanks man! I just beat detective the overhead tracks and get it all locked in. Nothing too fancy.

I do something similar when bands are short on time. I just program the shells instead of having them play on an e-kit, but it's kind of the same premise. If you plan on doing heavy sample replacement I see no major disadvantage, and you get really clean cymbal tracks. Here's a track I did with...

Hey Greg, I agree that they're both a bit bloated. This sound is actually what inspired our conversation before. I mentioned the signal chain above, but it's Radial ProRMP>EVH 5150 III>Avatar 4x12 (V30/GB)>SM57>Golden Age Pre73(on cleanest settings). The amp settings were red channel gain on 6...

:lol: I know, it's pretty worn out. I figure everybody knows it well now, and at least it's not the Rose of Sharyn DIs...

Well, since there's not a ton of activity I'll reveal that it was a speaker change. Same mic placement, mic, pre-amp, etc... Clip A is a Greenback, and Clip B is a Vintage 30. The entire chain was Radial Pro RMP>5150 III>Avatar 4x12 Contemporary>SM57>Golden Age Pre73.

Hey guys, I just got a new piece of gear for my guitar chain, and I figure it's a great time to put a go-to piece of most guitar rigs against a less popular alternative. The DIs are from Mago and Lasse's backing track, and the head is an EVH 5150 III, and that's all the information I'll give...

+1 to that. I'm usually somewhere around 150-175 for screams and 100-120 for cleans.

Possible kick 1 is my favorite.

That looks like a pretty good chain. I move saturation before and after compression depending on how much of the grit I want brought out. I also never print time-based effects. My chain looks something like this: 1. EQ 2. De-Esser 3. CLA-2A 4. RVox 5. Pod Farm Preamp Sim (Neve Model) for...

I got a 100 footer for my studio from Seismic Audio. The price seemed good, and I've been using it for a year with no complaints about the quality. http://www.seismicaudiospeakers.com/Snake-Cables-s/8.htm