Recent content by Unavailable

Hey man! I've got extra time these days and can help ya out! I edit all my own work which can be found here: www.nbrecording.com.

Not in the band anymore, but I helped write and produced this album. Eddie from ASP did guest vox on this song.

Hey brah

Cool.

Oh I know all about phasing. I just wanted to know if anyone else thought it was dumb to get that sound by phase reversing rather than EQing.

Yeah, I just wonder if phasing it out is the best way to go about getting that sound, or if EQ would be better?

It seems to go against logic that when I phase out one of the kicks in this blended kick sample, the kick sounds way fatter and heavier. I'm combining Slate Kick 16, 10, and 15, and I'm reversing the phase on kick 15 to get the "better kick" sound... Does that seem strange to you guys too...

Little too much low end overall, just a tiny bit muddy down there. Otherwise I think it's tits!

Haha, no problem. Drums: Slate Kick 16 Z1, EQ only to cut out a lot from the 200-900hz range and boost 5.3khz, 11khz, and 16khz. No compression or anything. Slate Snare 11a Z1 with a heavy dose of parallel compression and a bit of EQ to get the 200hz punch just right. Snare 12A Z4 for room...

At 1:13, the guitars get really cluttered sounding. Hard to tell what's going on at that point.

Bass too loud, Guitars need more gain. Drums sound good. You should cut out the bassist sliding his finger over the strings at :58.

http://dl.dropbox.com/u/1117317/BMA.mp3 I've been tweaking at this for too long now. Anything I could do better?

The low end of the bass guitar seems a bit overpowering, but awesome otherwise!

Backups seem fine where they are

The room sound is a big part of that snare sound. It's tuned moderately low as well.