3.9K

Feb 1, 2009
179
0
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Hmmm does anyone else have trouble with this frequency in guitar tracks? if i reduce it too much the track sound cheap... if i bost it to much it burns out your ears... i cant seem to balance it... anyone know of a frequency to counter this out?
 
Interesting.
Maybe it's not because of that particular frequency that you're not liking your tone. Maybe it's the overall frequency balance.

Yeh, post a clip.
 
I really don't think it can be a universal thing; I'm finding all guitar speakers have some nasty peaks and spikes here and there (and they vary even between the same types of speakers, how's that for product consistency :rolleyes: ), so depending on how you're recording, maybe try a different speaker in your cab (or impulse if that's how you roll)
 
Well I've noticed around 4K is the "definition" spot : it is sharper when boosted and smoother when lowered. Though I found in my limited experience that not touching it at all sounded better most of the time.
 
Sometimes to me too much 4k sounds scratchy and I have to use a narrow cut on it in order to keep the guitars bright enough but not have that scratchy distortion character in them.
 
First thing I would try is a notch at 3.9k and then a small boost at the harmonic which will of course be 7.8k. You could also try a de-esser set to 3.9k if that frequency is really getting up your nose. :loco:













www.myspace.com/deadrival
 
Hmmm does anyone else have trouble with this frequency in guitar tracks? if i reduce it too much the track sound cheap... if i bost it to much it burns out your ears... i cant seem to balance it... anyone know of a frequency to counter this out?
It looks as if you answered the question yourself: reduce=cheap vs. boost=burns you ears => don't touch it=balance
 
Yer i supose i did haha... i just wondered coz it stands out when sweeping the eq but when i toggle with it the guitar sounds crumbles haha i think ill just leave it balanced until i have processed everything else and then see cheers people
 
I used to have a habit of doing that - if you're looking for fizzy bits by sweeping around an EQ it helps if you start out with a fairly big Q, as it gives you a better idea of how the centre frequency is working with the surrounding area. If you just move a tiny little peak around at +20dB you can find problems everywhere :p

Steve
 
For this question I would go to the Slipperman's webpage.
http://www.badmuckingfastard.com/sound/slipperman.html

20-45Hz. Never say never. Just say rarely.
50-90hz Ahh the madness. Here's the 'swing' range in our 'chugging'.
100-150 Bottom of the meat.
180-240 Lo-Center of the meat.
250-320 Hi-Center of the meat.
340-650 Danger Will Robinson. Top of meat/Bottom of mids. CRITICAL.
700-900 More danger. Hard to hear. Kills 'newbies' on contact. Will explain.
950-1.2k Pure Satan. Make or break ya. Easy to hear. Hard to control.
1.3k-1.6k Ditto the above.
1.7k-2.2k Top of the mids/Bottom of pick attack range. Oh, the fear.
2.3k-3.1k Middle of pick range. Picky de poison. Mucho Satania.
3.2k-4.2k Top of pick range. Pick out a nice coffin. Yer gonna need it.
4.3k-6.5k Bottom of fizz. Add Beefeaters for gin fizz. Guzzle many glasses.
6.6k-8k. Top of fizzy. Many will kill this range ruthlessly. Careful. Can O' wormies.
8k-10k Road to hell. Paved with good intentions. Enjoy. Not.
10-15k Less obvious road(s) to hell. Gravel. Lose a windshield up here.
15k-25k Same disclaimer as 25-40Hz. Can you say 'sometimes bandwidth matters'?
 
If it's the same freq giving problems on every guitar track you work on... perhaps it's a quirk of your monitoring setup?