Originally posted by Pedro
Aaight, Patrick Bateman was really doing all those nasty things to the people. I believe the author was trying to make a statement about the lack of individuality in Patrick's world. Notice how noone seems to really know who anyone is, people think Patrick's someone else, and vice-versa. Patrick killed that guy with the axe, though another guy had lunch with him after the murder supposedly happened...he had lunch with someone he THOUGHT was the guy, but who really wasn't.
That's my interpreation of it, too. The story is satirising the 80's, and this was another mechanism for doing so.
Just as Patrick was mistaken for that other guy (don't remember the character's name), his lawyer was making the same mistakes. The lawyer wasn't looking beyond Patrick's surface; He saw a successful guy, with fine clothes and a good job; "How could he possibly be a mass murderer?", was his attitude.
The movie isn't a B-movie!!! It's a really expensive production, and it's really lavishly made. It's a really great movie, fantastically acted and the script is brilliant.
I read the book first on the recommendation of a friend. It's much more overt in it's pastiche of the 80's obsession with image, what with the huge descriptions of people's clothing and that insanely long monologue about his grooming routine.
Obviously they couldn't include certain things in the movie, like when he drills through that girl's teeth and burns her eyelids and eyeballs. But the film still captures the essence of the book very well. Some of the murder scenes are quite dark, like when he throws the chainsaw.
I love his excuse for getting away from people; "I have to return some video tapes"
The film is much more light-hearted (as much as it can be) than the book, though. And since the book is heavy going, I'd recommend seeing the film first, if you can read the book after without using all the imagery from the film instead of using the narrative's description. But the book is so well written that I couldn't see that being a problem.