Just wondering, I am wondering about their progression to their next album. Seeing as how the changes from MAYH to SL, to BWP were quite remarkable and distinct, and that much of BWP seemed to revolve around simpler and more standardized song structures.
Thiese structures are my concern. Look at a number of songs on BWP: Bleak, Harvest, The Draper Falls, Dirge For November. Not sounting Patterns in the Ivy(which isn't really a song anyway), we have over half of the album revolving around songs with mroe accesible musical structures (Ie: indentifiable verse/chorus/verse/chorus structures).
Do you think this may account for Opeth's sudden leap in Popularity with the release of BWP?? Does this more known structure make it more accessible?? Is the presence of such structures on BWP a sign that they will continue down this route even moreso in the future??
I certainly hope not, but it does seem like a good way (intentional or not) to get new listeners.
Oh yeah, and the songs seem to be getting less epic, and (gasp! ) shorter!
Thoughts?
Thiese structures are my concern. Look at a number of songs on BWP: Bleak, Harvest, The Draper Falls, Dirge For November. Not sounting Patterns in the Ivy(which isn't really a song anyway), we have over half of the album revolving around songs with mroe accesible musical structures (Ie: indentifiable verse/chorus/verse/chorus structures).
Do you think this may account for Opeth's sudden leap in Popularity with the release of BWP?? Does this more known structure make it more accessible?? Is the presence of such structures on BWP a sign that they will continue down this route even moreso in the future??
I certainly hope not, but it does seem like a good way (intentional or not) to get new listeners.
Oh yeah, and the songs seem to be getting less epic, and (gasp! ) shorter!
Thoughts?