My review, if anyone is interested ?
It's a bit of a dream / nightmare scenario, depending on which side of the fence you sit on. Of course, for most bands, losing such a powerful singer and consummate showman as the now infamously departed-then-rejoined-then-departed-then-rejoined-then-departed again vocalist Messiah Marcollin would be the death knell. Let's be honest however, Candlemass is too much of a survivor to ever go down that easy. Changing vocalists with the frequency that most bands change their drummers is par for the course for Leif and his not-so-merry men. What has never dipped has been the quality of the output; Candlemass only ever produce double-A albums. So what do you do when your vocalist leaves after a triumphant and much lauded come back album? Easy. You bring in another doom legend. You make the fans salivate.
Of course, it's not the first time that Rob Lowe (Solitude Aeturnus throat) has belted out Candlemass – you can spot him doing an absolutely cosmic job of “Well of Souls” with his other outfit on the initial Candlemass DVD. What's remarkable is how much character and feeling he has brought back to the venerable godfathers of the second wave of doom. This is an absolute belter of an album; and pardon my French, but I think it knocks “Candlemass” into a cocked hat, and it may even rival the utter magnificence of “Nightfall”.
Where the preceding platter was too aggressive and polished to these ears, this is an album that drips melancholy and atmosphere, and retains an earthy grimness in the sound that most bands would simply kill to get a hold of. Let's be right here, the accompanying blurb says “this is not the final master”, but to be honest, I hope they don't change it too much. Yes, the production is dry and impersonal at the moment, and you don't have that punch in the guts quality that accompanied the last opus, but to these old ears, that's for the better and adds to the atmosphere of antiquity and the occult far more effectively.
As ever, though, it's the songs that count, and by jove, they haven't lost the plot here. Opener “Emperor of the void” is the perfect vehicle to showcase the soaring, powerful Lowe voice, where “Devil Seed” has one of those riffs that you swear was an obscure Sabbath song, but can't find a trace of it in your collection. “Of Stars and Smoke” is 100% genius – a true epic of a track that lurches between somber, menacing riffs, and the most soaring, uplifting chorus that Candlemass have ever created. Period. The track sounds as if it could have been at home on the masters very own “Heaven and Hell”, but had it been, it would have been the best track on there, by a long, long way. “Demonia 6” is unusually aggressive and belligerent, while “Destroyer”, resplendent with subtle Hammond organ touches is a nice nod back to the “Dactylis Glomerata” album.”Man of Shadows” benefits from the more restrained vocals of Lowe in a way that Messiah couldn't have made happen, and “Clearsight” opens with a riff equal parts “Well of Souls” and Amon Amarth! I kid you not!
I could bore you by telling you more about the impeccable musicianship, the unparalleled level of song writing and how Candlemass are again at the top of the Doom game, but let's just level with each other; you already knew that, didn't you? You just want to know if Rob Lowe replaces Messiah adequately. With him, Candlemass are a different beast, in some senses, but no less potent. Candlemass are dead.
Long live Candlemass.