A person spends all day building a machine, only for it to torture them at night. As if this thought wasn’t malicious enough, they enjoy it. In fact, they enjoy being tortured so much that, come morning, they wake up rejuvenated, eager to tweak their creation until it runs perfectly in their mind.
This is the waking nightmare that inspired the upcoming ninth full-length album from Cryptopsy. “The concept for our new album came to me in a dream. When I woke up, I immediately wrote the title down on my phone”, vocalist Matt McGachy says before adding, “Because, you know, we all have to have our phones with us all the time”.
While an eerie mirror image of society’s latest brain rotting obsession, An Insatiable Violence is influenced by the many mutations that have come to define Cryptopsy’s Hall Of Fame discography. On their new album, the JUNO Award winners continue to push death metal to even more blasphemous extremes. While near bursting with the band’s brutal technique, lead single “Until There’s Nothing Left” stakes its claim as their biggest, most vile earworm. Watch the nightmarish video for “Until There’s Nothing Left”, written and directed by Christopher Kells, below.
“Until There’s Nothing Left” holds nothing back. Just as quickly as the video’s star takes the band’s trusted bait, Cryptopsy lock him inside their freshly fleshed-out house of horror.
“Your greed for pleasure is too vast”, McGachy utters with bottomless disdain thanks to his newly deepened death growls. Christian Donaldson reels through brutal chugs while Oli Pinard snaps off not one but two gruesome bass-slapping solos. After 30+ years behind Cryptopsy’s drum throne, Flo Mounier continues to keep the band on the tips of their horned toes. With devilish ease, he slits between blinding fills, relentless double bass and punishingly precise blast beats without ever leaving the pocket.
“Since our last album, I’ve developed new techniques that make it easier for us to go even faster”, says Mounier, who literally wrote the book on extreme metal drumming. “An Insatiable Violence is a nice melting pot of Cryptopsy’s old and new eras.”
The first taste of their upcoming album does smack you around before springing into a commanding groove. But even though the band’s last album won the JUNO Award for Metal / Hard Music Album just a little more than a year ago, Cryptopsy weren’t content with reaping their rewards. Writing for An Insatiable Violence began in earnest last spring, while they were touring North America with Death to All. Working from the road was new for them. And while not without bumps, playing 140 shows over the past 15 months gave them a clear sense of direction once the time came to hit Donaldson’s studio.
“As Gomorrah Burns was a stepping stone for our new album”, McGachy says. “We took what we enjoyed about the last album and focused on expanding it for a live setting. We wanted this album to be more groovy so that people can really latch onto these songs when we play them live.”
With its headbanger of a chorus, “Until There’s Nothing Left” will no doubt fill the pit when Cryptopsy tours Europe next month with Decapitated. The band’s signature fishhook riff wriggles deep into the grooves in your brain beneath bat-like shrieks. “And as you now can clearly see / You’re totally mine”. Of course, the song wouldn’t represent peak Cryptopsy if it wasn’t filled with a more insidious message. Its sinister story of an online predator feeds into the album’s larger cautionary tale.
“An Insatiable Violence reflects our toxic relationship with social media”, explains McGachy, who’s been feeling the effects since starting his podcast Vox & Hops. “I’m trying to break the cycle, but on those days where I’m just doom scrolling, I get so depressed. The fallacy of Internet stardom is just a dopamine trap that crushes our spirits.”
Cryptopsy know not every brutal technical death metal band is on the upswing nine albums into their career. The cover art for An Insatiable Violence pays tribute to their late, great vocalist Martin Lacroix.
“Martin did None So Live, but he never really got to do a proper album”, the band says. “His art is amazing. The two pieces of his that we used for An Insatiable Violence are incredible. His family was super excited about it, too. We are honored to have him be an even bigger part of Cryptopsy’s lore.”
An Insatiable Violence comes out June 20 via Season Of Mist. Pre-order / pre-save the album here.
Tracklisting:
“The Nimis Adoration”
“Until There’s Nothing Left”
“Dead Eyes Replete”
“Fools Last Acclaim”
“The Art of Emptiness”
“Our Great Deception”
“Embrace the Nihility”
“Malicious Needs”
“Until There’s Nothing Left” video:
Additional video credits:
Photography directed by Graham Guertin
Lighting by Giuseppe Calvinisti
Casting by Giuseppe Valvinisti and Viky Boyer
Location selected by Manoir Blackswan
Main Actor – Nicolas Raspail
Extras – Viky Boyer, Dominic Abate, Jason Greenberg, Liz Imperiale, Jeff Mott, Ardaeth, Gabriel Bernier, Tania Hébert, Misha Standjofski, Gabriel Rondeque-parent
Cryptopsy are giving their hungry fans overseas an early helping of An Insatiable Violence. Next month, they’re playing “Until There’s Nothing Left” and other songs off their new album while touring Europe alongside Decapitated, Warbringer and Carnation.
“Europe, get ready!”, Cryptopsy says. “With over 30 dates across the continent, this tour promises relentless energy, crushing riffs and unforgettable nights”
Get tickets here.
Infernal Bloodshed Over Europe 2025 dates:
May
1 – Kopervik, NO – Karmbygeddon*
3 – London, UK – Incineration Festival
4 – Exeter, UK – Phoenix
5 – Birmingham, UK – Asylum
6 – Newcastle, UK – Anarchy Brewery
7 – Glasgow, UK – Slay
8 – Manchester, UK – Academy 2
9 – Swansea, UK – Sin City
10 – Nottingham, UK – Rescue Rooms
11 – Norwich, UK – The Waterfront
13 – Lille, FR – The Black Lab
14 – Enschede, NL – Metropool
15 – Munich, DE – Backstage
16 – Aarau, CH – KiFF
17 – Lindau, DE – Vaudeville
18 – Vienna, AT – Szene
19 – Budapest, HU – Dürer Kert
20 – Prague, CZ – Fuchs2
21 – Schweinfurt, DE – Stattbahnhof
22 – Dresden, DE – Blauer Salon
23 – Krakow, PL – Hype Park
24 – Warsaw, PL – Proxima
26 – Berlin, DE – Hole44
27 – Aarhus, DK – Voxhall
28 – Hamburg, DE – Logo
29 – Vechta, DE – Gulfhaus
30 – Dortmund, DE – Junkyard
31 – Sint-Niklaas, BE – Casino
June
1 – Paris, FR – La Machine
2 – Esch Sur Alzette, LU – Kulturfabrik
3 – Frankfurt, DE – Das Bett
4 – Karlsruhe, DE – Substage
5 – Milan, IT – Legend Club
6 – Bologna, IT – Locomotiv
7 – Lyon, FR – Lions Metal Fest
8 – Maastricht, NL – South of Heaven
* Decapitated only
Metalheads who are chomping at the bit for An Insatiable Violence can further their appetite by revisiting Cryptopsy’s hallowed catalogue. Since signing with Season of Mist in 2024, the band have reissued their 1993 demo Ungentle Exhumation, the widely-worshiped None So Vile, their triumphant self-titled and The Book of Suffering Tome I + II, which is now available for the first time on one combined LP.
Order here.
More than 30 years into their storied career, Montreal death metal innovators Cryptopsy return with their ninth studio album, An Insatiable Violence, set for release on June 20, 2025 on Season of Mist.
Revered in extreme metal circles for such groundbreaking classics as 1994’s Blasphemy Made Flesh and the 1996 magnum opus None So Vile, Cryptopsy find yet another gear on An Insatiable Violence, which further solidifies the band’s place in the upper echelon of death metal. Coming out of the pandemic, the band dedicated themselves to staying on top of their game more than ever before, with the intention of consistently putting out a new record every two years. That started with 2023’s acclaimed As Gomorrah Burns, and continues 21 months later with An Insatiable Violence.
“We had to write the majority of An Insatiable Violence while on the Death to All tour, which was something we’d never done before”, vocalist Matt McGachy says. “Flo [Mounier, drums] and Chris [Donaldson, guitar] really put their hats on. It was a feat.”
“Ever since COVID our focus is clearer, a lot of work gets done faster, and we push each other to get it done,” Mounier says.
In addition to featuring some of the fastest passages Cryptopsy has ever recorded – keen listeners will even hear the odd gravity blast from Mounier, a rarity from the virtuoso drummer – the controlled chaos of their signature sound is offset by well-timed passages that ease off the gas pedal enough to allow listeners to come up for some air. That dynamic rage on An Insatiable Violence in turn makes the more aggressive moments hit even harder, which is immediately noticeable on the harrowing “Until There’s Nothing Left” and the chugging closing track “Malicious Needs”. Olivier Pinard anchors “Fools Last Acclaim” with stunning authority (keeping pace with Mounier is an unenviable task) while Donaldson offsets gnarly, atonal riffs with melodic passages throughout the record. “It’s a continuation of As Gomorrah Burns,” McGachy says, “We really wanted to make a groovy record, and we think we’ve done it.”
It seems as though nothing is scarier than real life right now, and An Insatiable Violence is a commentary on today’s society as though filtered through the transgressive, countercultural perspectives of J.G. Ballard and David Cronenberg.
“It all came to me in a dream in August 2023,” elaborates McGachy. “I woke up, I took my phone, and I wrote down the title of the record. It’s about a person that wakes up every day and fixes a machine. Tinkers with it, tries to make it better all day long, sweating in the sun, and then at night, they strap themself into this machine and the machine tortures them, and they love it. Then they wake up the next day and fix it again to make it more efficient, to keep harnessing it, and then just keep doing it over and over again.
While fantastically twisted, An Insatiable Violence mirrors our toxic relationship with social media. “We’re continuously trying to feed this algorithm of the machine while it’s totally tearing us apart socially and psychologically”, McGachy continues. “’The Nimis Adoration’ is about mukbang, these Korean people that eat too much food on the Internet. Piles and piles of food. A poor girl died on a live cam.”
At the center of the album is the mind-boggling percussion skill of Mounier, arguably the most imposing Canadian drummer not named Peart, who dominates such standout tracks as “Dead Eyes Replete”, “Fools Last Acclaim”, and “Embrace the Nihility”. “I look at Flo as an Olympic athlete,” says McGachy. “I want to push this guy to go a lot faster than Cryptopsy’s previous releases. We have so much more to give, and I wanted just drain it all out of him while he’s still at the top of his game, because he is. He’s crushing.”
“I mix up a lot of a physical activity, like resistance training into the drumming,” Mounier says. “I recently developed new techniques that make it easier to go even faster, so I tried to push that on this album. My focus is now more on dynamics and the touch of the snare, a certain snap of the snare, a rim shot on the snare, the toms, a light touch or a hard touch. Live, I can really let go, you know, give the sound guy a hard time,” he adds with a laugh.
For McGachy, who has always boasted a powerful, guttural death growl, the rigors of touring have enabled him to evolve as a vocalist, and he turns in a revelatory performance on An Insatiable Violence. In addition to ear-scraping screams that rival George “Corpsegrinder” Fisher, McGachy unleashes the deepest, filthiest death growls of his career. “Gomorrah was the first album that I recorded with my full false chord scream, which is something that I’d only just touched on The Book of Suffering: Tome II in little sections,” he says. “We did at least 140 shows since Gomorrah. I exclusively did my false chords during all the songs that we performed on None So Vile and Blasphemy Made Flesh. And then, when we did go into the studio for An Insatiable Violence, Chris would be like, ‘Deeper, you must go deeper!’”
Another fearsome vocalist from Cryptopsy’s lore pops back into the booth on An Insatiable Violence. “When we were recording the vocals for ‘Embrace the Nihility’, Chris had the idea of ending the song with the same vocal pattern as the end of ‘…and Then It Passes’”, McGachy remembers. “We figured if we were going to rip ourselves off, then we may as well get the real thing. We were honored that Mike DiSalvo accepted. We are all huge fans of Cryptopsy’s DiSalvo era. His vocals on this album are an ultra Easter egg for our fans.”
In addition to the effusive praise As Gomorrah Burns received from within the metal scene, the 2023 album achieved a first for Cryptopsy: earning them their first ever JUNO Award in 2024 for Metal/Hard Music Album of the Year. “We had little-to-no expectations of winning” says McGachy. ”We didn’t even go to the ceremonies because we were on tour in Europe with Atheist. On the day we found out that we won, we had a crazy 18-hour drive from Derby to Germany, plus a ferry ride. But we still partied for 48 hours. Flo bought an expensive bottle of champagne.”
Cryptopsy recognize that not every death metal band sticks around long enough to win a Canadian Grammy 30 years into their career. The cover art for An Insatiable Violence was created by the late, great vocalist Martin Lacroix. “The album artwork has got to be one of the most important things to us!”, the band says. “Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace brother.”
With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.
Lineup:
Flo Mounier – Drums
Matt McGachy – Vocals
Christian Donaldson – Guitar
Oli Pinard – Bass
(Photo – Maciej Pieloch)
The post CRYPTOPSY To Release An Insatiable Violence Album In June; “Until There’s Nothing Left” Music Video Streaming appeared first on BraveWords - Where Music Lives.
Continue reading...
This is the waking nightmare that inspired the upcoming ninth full-length album from Cryptopsy. “The concept for our new album came to me in a dream. When I woke up, I immediately wrote the title down on my phone”, vocalist Matt McGachy says before adding, “Because, you know, we all have to have our phones with us all the time”.
While an eerie mirror image of society’s latest brain rotting obsession, An Insatiable Violence is influenced by the many mutations that have come to define Cryptopsy’s Hall Of Fame discography. On their new album, the JUNO Award winners continue to push death metal to even more blasphemous extremes. While near bursting with the band’s brutal technique, lead single “Until There’s Nothing Left” stakes its claim as their biggest, most vile earworm. Watch the nightmarish video for “Until There’s Nothing Left”, written and directed by Christopher Kells, below.
“Until There’s Nothing Left” holds nothing back. Just as quickly as the video’s star takes the band’s trusted bait, Cryptopsy lock him inside their freshly fleshed-out house of horror.
“Your greed for pleasure is too vast”, McGachy utters with bottomless disdain thanks to his newly deepened death growls. Christian Donaldson reels through brutal chugs while Oli Pinard snaps off not one but two gruesome bass-slapping solos. After 30+ years behind Cryptopsy’s drum throne, Flo Mounier continues to keep the band on the tips of their horned toes. With devilish ease, he slits between blinding fills, relentless double bass and punishingly precise blast beats without ever leaving the pocket.
“Since our last album, I’ve developed new techniques that make it easier for us to go even faster”, says Mounier, who literally wrote the book on extreme metal drumming. “An Insatiable Violence is a nice melting pot of Cryptopsy’s old and new eras.”
The first taste of their upcoming album does smack you around before springing into a commanding groove. But even though the band’s last album won the JUNO Award for Metal / Hard Music Album just a little more than a year ago, Cryptopsy weren’t content with reaping their rewards. Writing for An Insatiable Violence began in earnest last spring, while they were touring North America with Death to All. Working from the road was new for them. And while not without bumps, playing 140 shows over the past 15 months gave them a clear sense of direction once the time came to hit Donaldson’s studio.
“As Gomorrah Burns was a stepping stone for our new album”, McGachy says. “We took what we enjoyed about the last album and focused on expanding it for a live setting. We wanted this album to be more groovy so that people can really latch onto these songs when we play them live.”
With its headbanger of a chorus, “Until There’s Nothing Left” will no doubt fill the pit when Cryptopsy tours Europe next month with Decapitated. The band’s signature fishhook riff wriggles deep into the grooves in your brain beneath bat-like shrieks. “And as you now can clearly see / You’re totally mine”. Of course, the song wouldn’t represent peak Cryptopsy if it wasn’t filled with a more insidious message. Its sinister story of an online predator feeds into the album’s larger cautionary tale.
“An Insatiable Violence reflects our toxic relationship with social media”, explains McGachy, who’s been feeling the effects since starting his podcast Vox & Hops. “I’m trying to break the cycle, but on those days where I’m just doom scrolling, I get so depressed. The fallacy of Internet stardom is just a dopamine trap that crushes our spirits.”
Cryptopsy know not every brutal technical death metal band is on the upswing nine albums into their career. The cover art for An Insatiable Violence pays tribute to their late, great vocalist Martin Lacroix.
“Martin did None So Live, but he never really got to do a proper album”, the band says. “His art is amazing. The two pieces of his that we used for An Insatiable Violence are incredible. His family was super excited about it, too. We are honored to have him be an even bigger part of Cryptopsy’s lore.”
An Insatiable Violence comes out June 20 via Season Of Mist. Pre-order / pre-save the album here.
Tracklisting:
“The Nimis Adoration”
“Until There’s Nothing Left”
“Dead Eyes Replete”
“Fools Last Acclaim”
“The Art of Emptiness”
“Our Great Deception”
“Embrace the Nihility”
“Malicious Needs”
“Until There’s Nothing Left” video:
Additional video credits:
Photography directed by Graham Guertin
Lighting by Giuseppe Calvinisti
Casting by Giuseppe Valvinisti and Viky Boyer
Location selected by Manoir Blackswan
Main Actor – Nicolas Raspail
Extras – Viky Boyer, Dominic Abate, Jason Greenberg, Liz Imperiale, Jeff Mott, Ardaeth, Gabriel Bernier, Tania Hébert, Misha Standjofski, Gabriel Rondeque-parent
Cryptopsy are giving their hungry fans overseas an early helping of An Insatiable Violence. Next month, they’re playing “Until There’s Nothing Left” and other songs off their new album while touring Europe alongside Decapitated, Warbringer and Carnation.
“Europe, get ready!”, Cryptopsy says. “With over 30 dates across the continent, this tour promises relentless energy, crushing riffs and unforgettable nights”
Get tickets here.
Infernal Bloodshed Over Europe 2025 dates:
May
1 – Kopervik, NO – Karmbygeddon*
3 – London, UK – Incineration Festival
4 – Exeter, UK – Phoenix
5 – Birmingham, UK – Asylum
6 – Newcastle, UK – Anarchy Brewery
7 – Glasgow, UK – Slay
8 – Manchester, UK – Academy 2
9 – Swansea, UK – Sin City
10 – Nottingham, UK – Rescue Rooms
11 – Norwich, UK – The Waterfront
13 – Lille, FR – The Black Lab
14 – Enschede, NL – Metropool
15 – Munich, DE – Backstage
16 – Aarau, CH – KiFF
17 – Lindau, DE – Vaudeville
18 – Vienna, AT – Szene
19 – Budapest, HU – Dürer Kert
20 – Prague, CZ – Fuchs2
21 – Schweinfurt, DE – Stattbahnhof
22 – Dresden, DE – Blauer Salon
23 – Krakow, PL – Hype Park
24 – Warsaw, PL – Proxima
26 – Berlin, DE – Hole44
27 – Aarhus, DK – Voxhall
28 – Hamburg, DE – Logo
29 – Vechta, DE – Gulfhaus
30 – Dortmund, DE – Junkyard
31 – Sint-Niklaas, BE – Casino
June
1 – Paris, FR – La Machine
2 – Esch Sur Alzette, LU – Kulturfabrik
3 – Frankfurt, DE – Das Bett
4 – Karlsruhe, DE – Substage
5 – Milan, IT – Legend Club
6 – Bologna, IT – Locomotiv
7 – Lyon, FR – Lions Metal Fest
8 – Maastricht, NL – South of Heaven
* Decapitated only
Metalheads who are chomping at the bit for An Insatiable Violence can further their appetite by revisiting Cryptopsy’s hallowed catalogue. Since signing with Season of Mist in 2024, the band have reissued their 1993 demo Ungentle Exhumation, the widely-worshiped None So Vile, their triumphant self-titled and The Book of Suffering Tome I + II, which is now available for the first time on one combined LP.
Order here.
More than 30 years into their storied career, Montreal death metal innovators Cryptopsy return with their ninth studio album, An Insatiable Violence, set for release on June 20, 2025 on Season of Mist.
Revered in extreme metal circles for such groundbreaking classics as 1994’s Blasphemy Made Flesh and the 1996 magnum opus None So Vile, Cryptopsy find yet another gear on An Insatiable Violence, which further solidifies the band’s place in the upper echelon of death metal. Coming out of the pandemic, the band dedicated themselves to staying on top of their game more than ever before, with the intention of consistently putting out a new record every two years. That started with 2023’s acclaimed As Gomorrah Burns, and continues 21 months later with An Insatiable Violence.
“We had to write the majority of An Insatiable Violence while on the Death to All tour, which was something we’d never done before”, vocalist Matt McGachy says. “Flo [Mounier, drums] and Chris [Donaldson, guitar] really put their hats on. It was a feat.”
“Ever since COVID our focus is clearer, a lot of work gets done faster, and we push each other to get it done,” Mounier says.
In addition to featuring some of the fastest passages Cryptopsy has ever recorded – keen listeners will even hear the odd gravity blast from Mounier, a rarity from the virtuoso drummer – the controlled chaos of their signature sound is offset by well-timed passages that ease off the gas pedal enough to allow listeners to come up for some air. That dynamic rage on An Insatiable Violence in turn makes the more aggressive moments hit even harder, which is immediately noticeable on the harrowing “Until There’s Nothing Left” and the chugging closing track “Malicious Needs”. Olivier Pinard anchors “Fools Last Acclaim” with stunning authority (keeping pace with Mounier is an unenviable task) while Donaldson offsets gnarly, atonal riffs with melodic passages throughout the record. “It’s a continuation of As Gomorrah Burns,” McGachy says, “We really wanted to make a groovy record, and we think we’ve done it.”
It seems as though nothing is scarier than real life right now, and An Insatiable Violence is a commentary on today’s society as though filtered through the transgressive, countercultural perspectives of J.G. Ballard and David Cronenberg.
“It all came to me in a dream in August 2023,” elaborates McGachy. “I woke up, I took my phone, and I wrote down the title of the record. It’s about a person that wakes up every day and fixes a machine. Tinkers with it, tries to make it better all day long, sweating in the sun, and then at night, they strap themself into this machine and the machine tortures them, and they love it. Then they wake up the next day and fix it again to make it more efficient, to keep harnessing it, and then just keep doing it over and over again.
While fantastically twisted, An Insatiable Violence mirrors our toxic relationship with social media. “We’re continuously trying to feed this algorithm of the machine while it’s totally tearing us apart socially and psychologically”, McGachy continues. “’The Nimis Adoration’ is about mukbang, these Korean people that eat too much food on the Internet. Piles and piles of food. A poor girl died on a live cam.”
At the center of the album is the mind-boggling percussion skill of Mounier, arguably the most imposing Canadian drummer not named Peart, who dominates such standout tracks as “Dead Eyes Replete”, “Fools Last Acclaim”, and “Embrace the Nihility”. “I look at Flo as an Olympic athlete,” says McGachy. “I want to push this guy to go a lot faster than Cryptopsy’s previous releases. We have so much more to give, and I wanted just drain it all out of him while he’s still at the top of his game, because he is. He’s crushing.”
“I mix up a lot of a physical activity, like resistance training into the drumming,” Mounier says. “I recently developed new techniques that make it easier to go even faster, so I tried to push that on this album. My focus is now more on dynamics and the touch of the snare, a certain snap of the snare, a rim shot on the snare, the toms, a light touch or a hard touch. Live, I can really let go, you know, give the sound guy a hard time,” he adds with a laugh.
For McGachy, who has always boasted a powerful, guttural death growl, the rigors of touring have enabled him to evolve as a vocalist, and he turns in a revelatory performance on An Insatiable Violence. In addition to ear-scraping screams that rival George “Corpsegrinder” Fisher, McGachy unleashes the deepest, filthiest death growls of his career. “Gomorrah was the first album that I recorded with my full false chord scream, which is something that I’d only just touched on The Book of Suffering: Tome II in little sections,” he says. “We did at least 140 shows since Gomorrah. I exclusively did my false chords during all the songs that we performed on None So Vile and Blasphemy Made Flesh. And then, when we did go into the studio for An Insatiable Violence, Chris would be like, ‘Deeper, you must go deeper!’”
Another fearsome vocalist from Cryptopsy’s lore pops back into the booth on An Insatiable Violence. “When we were recording the vocals for ‘Embrace the Nihility’, Chris had the idea of ending the song with the same vocal pattern as the end of ‘…and Then It Passes’”, McGachy remembers. “We figured if we were going to rip ourselves off, then we may as well get the real thing. We were honored that Mike DiSalvo accepted. We are all huge fans of Cryptopsy’s DiSalvo era. His vocals on this album are an ultra Easter egg for our fans.”
In addition to the effusive praise As Gomorrah Burns received from within the metal scene, the 2023 album achieved a first for Cryptopsy: earning them their first ever JUNO Award in 2024 for Metal/Hard Music Album of the Year. “We had little-to-no expectations of winning” says McGachy. ”We didn’t even go to the ceremonies because we were on tour in Europe with Atheist. On the day we found out that we won, we had a crazy 18-hour drive from Derby to Germany, plus a ferry ride. But we still partied for 48 hours. Flo bought an expensive bottle of champagne.”
Cryptopsy recognize that not every death metal band sticks around long enough to win a Canadian Grammy 30 years into their career. The cover art for An Insatiable Violence was created by the late, great vocalist Martin Lacroix. “The album artwork has got to be one of the most important things to us!”, the band says. “Martin Lacroix was one of our vocalists, one of our great friends and one of the nicest people that anyone could have the privilege to meet. We really wish he was here with us to share this moment. His perfect smile would say it all! Rest in peace brother.”
With Cryptopsy’s latest career renaissance showing no signs of slowing down, the recent accolades are only the beginning. An Insatiable Violence reaches a new peak in a career loaded with them.
Lineup:
Flo Mounier – Drums
Matt McGachy – Vocals
Christian Donaldson – Guitar
Oli Pinard – Bass
(Photo – Maciej Pieloch)
The post CRYPTOPSY To Release An Insatiable Violence Album In June; “Until There’s Nothing Left” Music Video Streaming appeared first on BraveWords - Where Music Lives.
Continue reading...