Digital World is definitely my favourite from that album. Elize is so good on that one. Really nice chorus. I couldn't help but think the line "freedom is for sale if you give them control" is even more relevant nowadays with Musk, DOGE and the techbros running rampant within the US Government.That’s 100% the best stretch of the album, no contest. I do quite like all of the other songs on there, but DDC and Digital World are some of the best Amaranthe songs period.
I just didn’t listen to The Catalyst. That huge wave of artists using or having to use AI for music videos really turned me off from them (Amaranthe, Within Temptation, Linkin Park with Lost, etc.), and I just refused to listen to that material, regardless of it was better or worse. Cemetery Skyline using AI for its art was super disappointing too, and I tried not to listen to or recommend anything from after I found out about it, but they’re probably the only band I respect enough to give another shot afterwards. They seem like a rather genuine band, and Mikael’s a pretty genuine person, so I do want to support them.
I did listen to it - didn't know about the AI stuff to be honest - but yeah, it didn't click with me at all. Genuinely don't remember a single song off it - and I really tried to like it as well. The theme was right for me, but the music just wasn't.
Surprised to hear about Cemetery Skyline using AI generated art. I can understand independent bands using AI to try and reduce costs, but bands signed to labels like Century Media should not need to do that. Give an actual artist a little support. There are great artists out there who would probably create something awesome for barely anything, purely through being a fan or just wanting the exposure. Not that I'd endorse paying an artist the minimum amount just because it's possible, but still.