- Aug 13, 2009
- 799
- 3
- 18
I like some of the songs on the album but the production is horrendous, detracting to the point that I don't listen to it.
People keep mentioning the production but I don't really hear what others seem to be hearing with it, sounds like a lot of other modern albums. Then again I'm not really an expert on such things.
Like a lot of modern albums? Compressed to the point of distorsion?
If you're interested, there was a very long, detailed conversation about the production here:People keep mentioning the production but I don't really hear what others seem to be hearing with it, sounds like a lot of other modern albums. Then again I'm not really an expert on such things.
It's a mastering issue not a production issue - as I read through that review and the comment section. The mix and production just on this song is just a computerized as any other current metal release and sounds solid overall. Zach Ohren has recorded a few of my releases and I personally have always had issues with his kick drum samples, but this sounds like they are better now. My ANIMOSITY release from 2004 gives me a headache because of the kick drums thunderous tone.
This is the same impression I was left with after reading the thread. Granted, AMG's reviews are more production centric than most review web sites, but I'm definitely in the camp of people who felt that the production/mastering genuinely hurt thisIt was both a mastering and production issue iirc. Zach provided a much more dynamic mix to AMG and a few others sites, and when they level matched and listened to the DR 11 (I think it was) vs the album DR 3, they were able to tell the difference but it was not as dramatic as expected. Even if the brickwalling was not the primary reason for the poor sound quality, the album sounds like garbage to me. But it seems the band achieved the sound they were looking for *shrug*
It was both a mastering and production issue iirc. Zach provided a much more dynamic mix to AMG and a few others sites, and when they level matched and listened to the DR 11 (I think it was) vs the album DR 3, they were able to tell the difference but it was not as dramatic as expected. Even if the brickwalling was not the primary reason for the poor sound quality, the album sounds like garbage to me. But it seems the band achieved the sound they were looking for *shrug*
We can agree to disagree on this point. I think the sound clarity, compared to Sneap production, couldn't be at opposite ends of the spectrum.just from that mp3 the production sounds decent enough to me and no different than a Sneap production, by that I mean all re-amped, sound replaced, auto-tuned, etc.