Foo Fighters - Recording of Wasting Light

After finishing paragraph 2, I was already pissed off. What is it with people and black and white attitudes? Can't they see a place for the middle-ground in anything? He makes it sound like every producer that's worked with a rock band in the last 10 years has hard gridded the drums. There are plenty of guys out there who only move what they feel they have to, or if they quantize large chunks of a song, they do it using a moderate strength setting that strikes a balance between drummer swing and actual tightness.

I hate how analogue gear and tape somehow represents the antithesis of editing/modern recording to people. As if punching in, or tape splicing was never, ever done. Using everything at one's disposal, one can strike a harmony that is better than each individual approach by itself. I'm getting pretty sick of reading this competitive, regressive, self-defeating verbal diarrhea TBH. It's so egomaniacal. Like a kid jumping and shouting 'look at me, I'm still relevant, I'm doing it all the REAL WAY, unlike everyone else out there, I'm so much better!'. Christ.
 
What's funny is that while this album sounds awesome and vibey, it also sounds pretty cluttered IMO. It's more a result of the band being awesome than analogue being superior to digital or anything like that.
 
What's funny is that while this album sounds awesome and vibey, it also sounds pretty cluttered IMO. It's more a result of the band being awesome than analogue being superior to digital or anything like that.

I agree, the songs survive in spite of the limitations, because the band is good.
I think it sounds like a record FWIW which I suppose is what they wanted.
I'd say production wise The Colour and the Shape kicks the shit out of it, but then that album had singles on it, which I don't hear on this one.



*edit*Also I think it's kinda funny that somebody dropped $30K on an API board so they could use 1073's on everything
 
this album sounds amazing but its pretty "vanilla" to me. 90% of what the foo fighters have done the last 10 years has been pretty "vanilla" actually. Butch Vig is a beast though.
 
After finishing paragraph 2, I was already pissed off. What is it with people and black and white attitudes? Can't they see a place for the middle-ground in anything? He makes it sound like every producer that's worked with a rock band in the last 10 years has hard gridded the drums. There are plenty of guys out there who only move what they feel they have to, or if they quantize large chunks of a song, they do it using a moderate strength setting that strikes a balance between drummer swing and actual tightness.

I hate how analogue gear and tape somehow represents the antithesis of editing/modern recording to people. As if punching in, or tape splicing was never, ever done. Using everything at one's disposal, one can strike a harmony that is better than each individual approach by itself. I'm getting pretty sick of reading this competitive, regressive, self-defeating verbal diarrhea TBH. It's so egomaniacal. Like a kid jumping and shouting 'look at me, I'm still relevant, I'm doing it all the REAL WAY, unlike everyone else out there, I'm so much better!'. Christ.

agreed.

it's a very expensive luxe that he can afford. but thats it to me.
 
If they wanted to prove how awesome they all were, they should have cut everything live to 1" 2 track and be done with it. Using their reasoning, I would think that overdubbing would be out of the question.

I did enjoy this line in the beginning.
“A drummer walks into a studio,” he (Grohl) continues, like he’s telling a Borscht Belt joke. “He says, ‘This is how I play the drums,’ and the producer says, ‘That’s not good enough.

I'll only will get work if the band sounds great. If the band sucks and we just record that and don't do any editing, the band will not sound great. If they bring me cardboard boxes and tin cans and don't have a budget, I can record that or program or replace the drums. If Taylor Hawkins is an amazing rock drummer, I'd just as soon have him play on every rock project I work on, but unfortunately that isn't going to happen.
 
Whatever the fuck the songs are recorded in.
It doesnt change songs like bridge burning and dear rosemary are among the best that ive heard in years.

It reminds i should stop thinking about how much i wanna edit myfucking drums or what amp im gonna reamp thru, it just reminds how much its all about a good song :)

I fucking love this band!