Guitar Workout Etudes...Post 'Em!

JazzIII

Member
Apr 16, 2004
72
0
6
Hamilton, Ontario
Alright, Anyone familiar with Chris' work knows that hard work pays off so...enough slacking, lets get it on!

Here's a few I came up with that I posted on the John Petrucci forum in a thread that died a quick death. They focus on alternate picking arpeggio ideas and some string skipping. Since there is always new stuff to play and learn, no matter how long you've been playing (20 years for me), it'd be great for you players out there to post yer crap! Preferrably your own material you found to be a good workout (regardless of what technique it focusses on).


Well, here's a little etude I came up with for working your string crossing technique. It's short, simple and effective. The first 4 measures are played four times each before moving on. The last measure is played once, and signals the turnaround.




---------------------|------------------|---------------|--------------|--------------
----------------10--|--------------8---|-----------6--|-----------5--|--------------
-------9------------|------7-----------|----5----------|----4---------|----7----7--
---------10-12-----|--------9-10-----|-------7-9----|--------6-7----|-------------
---12---------------|---10------------|--8------------|--7-----------|--8---11----
---------------------|------------------|---------------|--------------|--------------



This is based on a simple Am/G/F/E progression with one passing tone per chord. The bitch factor lies in the groupings of five, which when repeated, force you to change pick direction (1st time on a down, next time on an up). Play it on a clean tone AND distorted tone and watch for the dreaded "ringing".


P.S. Sorry...it looks like crap.
 
Here's another lick for ya....


------------------------------------------16-17-12--------
----17----------15---------17-------------------------15
----------16--------16-14-------16----------------16----
-------14----14---------------14----14-------------------
-------------------------------------------------------------
-------------------------------------------------------------


----------------------------------------------------17-19---
--17-----------15-14--------------------------17----------
---------16-----------16------------16-15-14-------------
------14----14-----------14-----14------------------------
-------------------------------12---------------------------
-------------------------------------------------------------


Kind of a "keyboard-y" sounding lick in E (based on the mixolydian mode with a b5 passing tone in the second measure) that plays on rhythmic displacement for a bit before ending in an A5 (add9) arpeggio...with a passing tone of course!

Again, alternate picking all the way. Give'r!


Kel
 
Alright, one more; if for no other reason than being able to look it up if I forget the damn thing....

----------------------------------------------
---------------------------10-13-12-10------
---------9-12-10-9-----10--------------------
------10-------------12----------------------
---12-----------------------------------------
-----------------------------------------------


--13-10--------10----------------------
--------10---10--13-10--------10-------
-----------12----------10---10----------
--------------------------12------------
----------------------------------------
----------------------------------------


----------------------------------
-----------------------6-10-8-6--
--------7-10-9-7----7-------------
------9------------9---------------
---10------------------------------
------------------------------------


---12-8-----------------------------
---------8--8---12-9---------------
-----------9--9-------9------10----
-------------------------9-12-------
-------------------------------------
-------------------------------------
 
JazzIII said:
Alright, one more; if for no other reason than being able to look it up if I forget the damn thing....

----------------------------------------------
-----------------------------10-13-12-10---
---------9-12-10-9-----10------------------
------10-------------12----------------------
---12-----------------------------------------
-----------------------------------------------


--13-10------------------------------
---------10---10--13-10-------------
------------12------------10---10----
------------------------------12-------
----------------------------------------
----------------------------------------


----------------------------------
-----------------------6-10-8-6--
--------7-10-9-7----7-------------
------9------------9---------------
---10------------------------------
------------------------------------


---12-8-----------------------------
---------8--8---12-9---------------
-----------9--9-------9------10----
-------------------------9-12-------
-------------------------------------
-------------------------------------
Nice JazzIII!!!
These look cool. I will give them a try here in a minute.
Take care, Chris.
 
Chris, thanks for checkin' them out...I'm honored! Got any to add? :worship:

Minnesota, thanks man! I'll throw some more up here in a bit.

Elevensies, snowed out in Hamilton? That sounds about right! We don't get 'em that bad every year but sometimes they're brutal!

Concerning rhythm playing, this can be a VERY personal subject; even more than lead playing, simply because the rhythm IS the song. Are you concerned about WRITING rhythms or playing others'?

For me, I basically listened to a ton of players whose rhythm style caught my ear (Megadeth, Pantera, Death, Nuno...etc), learned a few tunes from each and focussed on getting all the little nuances (muting, spaces....). Doing this will naturally, over time, figure into your style when you write.


Kel
 
I just remembered another little snippet that to me, sounds like a cross between The Who's "Baba O'Reilly" and Ozzy's "Waiting For Darkness"....don't ask!

----------------------------------
----------------------------------
-----------9-9----11----7----7-9-
-------9-9----9-9---9-9--9-9-----
---7-7----------------------------
----------------------------------

--------------------------------------------
--------------------------------------------
-----------7-7-9-9-12-12-11-11-------------
-------9-9----------------------12-12-7-7--
---------------------------------------------
---8-8---------------------------------------


This one came about from the frustration of not being able to play 2 note-per-string ideas as well as I damn well should be! I realize this isn't strictly a 2nps deal but it developed into this. There are enough occurances of that sort of string crossing here to consider it a valid tool for improvement.


BTW, I edited my third post. The second measure had 2 notes missing
:OMG: Chris' first post contains the version done while sleep-typing.