- Apr 12, 2012
- 469
- 0
- 16
Jason Livermore - Blasting Room Q&A
- Thread starter HOFX
- Start date
- Apr 12, 2012
- 469
- 0
- 16
Question: What is your standard approach to recording and mixing bass - how many tracks / reamps are being blended in the final mix? A lot of the records I hear seem to have the Fender P-bass sound, but the final mix ends up with consistent low end that sits under the kick, some meat above the kick and presence that allows it to be heard in a busy mix (almost as a third guitar), but then completely hollow everywhere else. What are your standard tricks/methods to getting there?
cfh11
Member
blasting room rules. all i want to know about is drums - what are their preferred mics, comps, tracking techniques? what kind of drum heads and kits deliver the best sound for that style in their opinion?
Trevoire520
Member
Man I love the sounds coming out of that studio.
Rise Against - I'd love details on guitar/bass sounds, I think I've read that they're big on using multiple amps?
Comeback Kid - Gang vocals on their stuff are awesome! What mic setup is used? How many tracks?
Rise Against - I'd love details on guitar/bass sounds, I think I've read that they're big on using multiple amps?
Comeback Kid - Gang vocals on their stuff are awesome! What mic setup is used? How many tracks?
- Apr 12, 2012
- 469
- 0
- 16
cfh11
Member
awesome thanks! always loved their stuff.
edit: just read through the whole thread, great stuff. i was surprised to hear that they favor the atm25 for kick... might have to look into getting one of those. he was very vague about the amp blending stuff lol. oh well i guess you need to keep some secrets if you are the master
edit: just read through the whole thread, great stuff. i was surprised to hear that they favor the atm25 for kick... might have to look into getting one of those. he was very vague about the amp blending stuff lol. oh well i guess you need to keep some secrets if you are the master
Similar threads
