A good idea that popped up in another thread. Killed a few hours.
-Get it Here-
Some History on the Original:
The original 1963 recording of the Doctor Who theme music is widely regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesizers. Delia Derbyshire of the BBC Radiophonic Workshop used musique concrète techniques to realize a score written by composer Ron Grainer. Each and every note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators which were used for calibrating equipment and rooms, not creating music. The swooping melody and pulsating bass rhythm was created by manually adjusting the pitch of oscillator banks to a carefully-timed pattern. The rhythmic hissing sounds, "bubbles" and "clouds", were created by cutting tape recordings of filtered white noise.
-Read More-
Happy New Year.
-Get it Here-
Some History on the Original:
The original 1963 recording of the Doctor Who theme music is widely regarded as a significant and innovative piece of electronic music, recorded well before the availability of commercial synthesizers. Delia Derbyshire of the BBC Radiophonic Workshop used musique concrète techniques to realize a score written by composer Ron Grainer. Each and every note was individually created by cutting, splicing, speeding up and slowing down segments of analogue tape containing recordings of a single plucked string, white noise, and the simple harmonic waveforms of test-tone oscillators which were used for calibrating equipment and rooms, not creating music. The swooping melody and pulsating bass rhythm was created by manually adjusting the pitch of oscillator banks to a carefully-timed pattern. The rhythmic hissing sounds, "bubbles" and "clouds", were created by cutting tape recordings of filtered white noise.
-Read More-
Happy New Year.
Post metal!
