"Worthless Abominations Destroyed", the new single from Norwegian black metal veterans MAYHEM, can be streamed below. The song is taken from the band's forthcoming album, "Daemon", which will be released on October 25 via Century Media. "After teasing you guys for over six months, it's finally time to show you what we have been up to in the studio this summer," says guitarist/songwriter Teloch (a.k.a. Morten Bergeton Iversen). "Here's 'Worthless Abominations Destroyed', a track that was made with the intention to have this 'all is lost and hopeless' feeling." The song arrives as pre-orders for the 12-song album have been released. A variety of limited edition and special variants are available, including a limited deluxe LP boxset (various colors), a limited CD mediabook in slipcase, a standard CD, a limited gatefold LP (various colors) and, of course, a digital version. By the power of darkness and with the might of black-hearted will no two MAYHEM albums have been or will ever be the same. Over the course of MAYHEM's storied and groundbreaking 35-year career — from "Deathcrush" (1987) through "Esoteric Warfare" (2014) — the Norwegians have continuously challenged the orthodoxy of the genre they helped create. Originally informed by greats HELLHAMMER, VENOM, BATHORY and SODOM, MAYHEM eventually imbued its damnable attack with influences from all over the music extreme spectrum, indicated first on the harsh and angular "Wolf's Lair Abyss" (1997) EP and foremost on the enterprisingly brutal and revolutionary "Grand Declaration Of War" (2000). "Daemon" isn't a direct follow-up to "Esoteric Warfare". Like all MAYHEM albums of their time, "Daemon" is unto itself. The wolf solitary and singular. Indeed, "Daemon" also isn't a new chapter in MAYHEM's storied career. Rather, it's a new tome, authoritative yet wild in character. Composed and decomposed with the same lineup — Necrobutcher (bass), Hellhammer (drums), Attila (vocals), Teloch (guitars) and Ghul (guitars) — that handled "Esoteric Warfare" and performed "De Mysteriis Dom Sathanas" in its entirety over the last few years, "Daemon" isn't a retrofit of classic songs like "Freezing Moon", "Pagan Fears" or "Buried By Time And Dust" either. That's what the live album, "De Mysteriis Dom Sathanas Alive" (2016), was for. "Daemon" is change, an opportunity for the maw of hell to open wider. "MAYHEM will always be MAYHEM," says Teloch. "If we put the genre game aside a bit, no one else sounds like MAYHEM. Even when 'De Mysteriis' came out, it was not at first considered to be a black metal album, if my memory serves me right. Tricky to label this band. Metal would be the most fitting; it's not pure black metal, in my opinion. Not sure it has ever been actually, despite what the general opinion is. People can call it whatever they want. If it's black metal to them, then fine. We don't really care. To me, it's important to keep some sort of black metal vibe at least." MAYHEM entered NBS Audio Studio (a.k.a. Necromorbus Studio) in Söderfors, Sweden to record drums and vocals with producer/engineer Tore Stjerna. Newly consecrated Studio A (Stjerna's Stockholm studio will continue to operate as Studio B) in an old church, Hellhammer and Csihar recorded their respective parts for "Daemon". The band then had Ghul record his guitars in the Netherlands, while the bass was engineered by Teloch and performed by Necrobutcher at Lupercal Studio in Oslo, Norway. Teloch took his guitar tracking to SleikBallaMi Studio, also in Oslo. "Daemon" was then brought back to Stjerna for mixing and sent off to Thomas Johansson at The Panic Room for mastering. The whole affair took about three months to nail down. "Daemon" track listing: 01. The Dying False King 02. Agenda Ignis 03. Bad Blood 04. Malum 05. Falsified And Hated 06. Aeon Daemonium 07. Worthless Abomination Destroyed 08. Daemon Spawn 09. Of Worms And Ruins 10. Invoke The Oath Certainly, the art of the album cover can be hit or miss. Not for MAYHEM. The Norwegians have crafted an aesthetic that's both harrowing and insidious. From the low contrast majesty of "De Mysteriis Dom Sathanas" and the blurry haunt of "Chimera" to the suggestive intensity of "Grand Declaration Of War" and "Esoteric Warfare"'s retro-modern mind machine layout, the band have always been progressively inclined where it concerns image, message, and style. For "Daemon", MAYHEM enlisted Italian designer Daniele Valeriani (LUCIFER'S CHILD, DARK FUNERAL) to understand, conceive, and deliver the cover art. "I think this album will be most pleasing for old and new fans," says Teloch. "As most of our devoted fans know, MAYHEM has never released two albums that sound the same. That's the case this time around as well. As I said, we simplified stuff, but at the same time tried out some new stuff to keep it interesting for ourselves and, also for our fans that dig that we are doing something new on each album." Soon after the release of "Daemon", MAYHEM will embark on a European headline tour with special guests GAAHLS WYRD and GOST.
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