San Francisco Bay Area metallers MACHINE HEAD entered GREEN DAY's Oakland, California's JingleTown Recording compound on February 9 to begin recording their new album for a late 2014 release via Nuclear Blast Entertainment.The third in a series of short segments regarding the production side of making MACHINE HEAD's new CD can be seen below.Tentative songtitles set to appear on the new MACHINE HEAD album include "Killers & Kings", "Beneath The Silt", "Eyes Of The Dead" (formerly "Ojos De La Muerte"), "Sail Into The Black", "How We Die" and "Night Of The Long Knives".As part of this year's Record Store Day on April 19, MACHINE HEAD released a 10-inch vinyl single, with the A-side containing the "demo" version of "Killers & Kings". The B-side was a cover version of the track "Our Darkest Days" from one of MACHINE HEAD's favorite bands, IGNITE.MACHINE HEAD frontman Robb Flynn recently stated about the band's new material: "I would say
that the songs are as epic in scope [as those on 2007's 'The Blackening'], if not more so, except where 'The Blackening' was more epic in the guitar department, this is more epic in the EVERYTHING department. Strings arrangements, keyboard arrangements, massive vocal layering (one track, 'Sail Into The Black' has 40 tracks of vocals), drum overdubs, and, of course, the standard MACHINE HEAD quadruple tracking of the guitars."He added: "I want to reiterate, I don't feel this record sounds like 'The Blackening'. It feels like we're still moving forward. If I HAD to compare it to another record of ours, it may be closer to 'Through The Ashes Of Empires' in one aspect only, the simpler song arrangements. It's still what I would just call classic metal, but we've simplified beats, simplified riffs, taken the unnecessary complicated-ness of something and made it simple. I've even applied that to my lyrics, where I've stripped out a lot of extra words ('the's,' 'and's,' etc), and invented a lyrical technique I call 'clustering,' where you cluster vowels or cluster 'plosives' ('K's,' 'T's,' 'Ch's') together to make it sound heavier, or flow better. It doesn't read all that poetically, but in the song it sounds really cool. I've also really worked hard on sharpening up my rhyme schemes, finding clever places to place rhymes, instead of the usual place at the end of a line, or even again, 'clustering' rhymes. It makes an abstract concept like 'Killers & Kings' (which references 20+ Tarot Cards, and that I'm very proud of the end result) to have a real meaning. Out of that stripped down musical landscape, we've then taken that new (to us at least) 'extra space' and added in layers of strings, layers of dark, ambient keys, layers and layers of vocals, and it sounds HUGE."Speaking to U.K.'s Metal Hammer magazine, Flynn stated about the band's upcoming CD: "It sounds like MACHINE HEAD! It's definitely moving forward, which I feel like we're probably always gonna do. "We're not a band that ever looks back. We do our thing and try to take the life experiences that we have and the musicianship that we've evolved and try to use it. Obviously, we have our sound and we have the MACHINE HEAD patented harmonics, the downtuned riffs and I sing the way I sing. "I think Bob Dylan said it best: 'You just find new ways to say the same thing.'"Regarding some of the specific tracks and the lyrical themes covered on the new album, Flynn said: "I've got some pretty cool lyrics ready. There's a song called 'Night Of The Long Knives', and it's pretty fucked! It's about the Manson murders, and the lyrics are really dark and vicious. "We've found some new twists to give to the MACHINE HEAD sound and some new fire and excitement."Part 3:
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