- Oct 26, 2009
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Hey dudes. This is a new mix I've come up with. I'm using some new techniques that I REALLY hope work out essentially. The song is heavy as fuck.
Drums are slate shells, and superior cymbals/OHs.
The guitars are something I'm quite proud of! I had the guitarist re record his parts with my Carvin DC747, with BareKnuckle Painkiller puckups installed. They sounds fucking sweeettt. I want you to guess what the amp set up is though. =) It's a lot different that what I typically do as far as ampage goes. I was going for an extremely 'barky' unique tone for guitars. Kind of like chewing on soft bones.
Bass is my typical set up.. DI-->Studio Devil-->Guitar rig. Then the DI track is also sent to two other tracks where I do a heavy low pass in each. Both of those tracks are targeting seprate sub level frequencies. Guitar rig has all of the lows cut out and only used for the grit tone.
One thing I do need help with is snare processing with slate. Something just isn't clicking for me with those snares. Obviously they're amazing alone, but I'm trying to do some comp/eq with them, and I can't seem to get what I'm looking for, so any suggestions on that would help.
Enjoy
https://dl.dropbox.com/u/4985090/ACR/ACREdenNewMix1.mp3
P.S. sorry for the sudden cut off towards the end. I forgot to fade it out for the clip.. Oh well! =)
Drums are slate shells, and superior cymbals/OHs.
The guitars are something I'm quite proud of! I had the guitarist re record his parts with my Carvin DC747, with BareKnuckle Painkiller puckups installed. They sounds fucking sweeettt. I want you to guess what the amp set up is though. =) It's a lot different that what I typically do as far as ampage goes. I was going for an extremely 'barky' unique tone for guitars. Kind of like chewing on soft bones.
Bass is my typical set up.. DI-->Studio Devil-->Guitar rig. Then the DI track is also sent to two other tracks where I do a heavy low pass in each. Both of those tracks are targeting seprate sub level frequencies. Guitar rig has all of the lows cut out and only used for the grit tone.
One thing I do need help with is snare processing with slate. Something just isn't clicking for me with those snares. Obviously they're amazing alone, but I'm trying to do some comp/eq with them, and I can't seem to get what I'm looking for, so any suggestions on that would help.
Enjoy
https://dl.dropbox.com/u/4985090/ACR/ACREdenNewMix1.mp3
P.S. sorry for the sudden cut off towards the end. I forgot to fade it out for the clip.. Oh well! =)