Following last week's international release of METALLICA and San Francisco Symphony, "S&M²", the film has cemented itself as the largest ever global rock event cinema release having earned $5.5 million at the box office across more than 95 countries in more than 3,700 cinemas worldwide. Trafalgar Releasing are now pleased to announce that due to the success and continued fan demand, the film will be returning for one more night worldwide on October 30. 2019's "S&M²" concerts featured METALLICA reuniting with San Francisco Symphony for the first time since the original "S&M²" performances in 1999 documented by the Grammy-winning live album "S&M" — plus the first-ever METALLICA/San Francisco Symphony renditions of songs written and released since those shows. Filmed over the two sold-out METALLICA shows that opened the Chase Center — the new 18,064-seat arena in San Francisco — "S&M²" captures more than two and a half hours of James Hetfield, Lars Ulrich, Kirk Hammett and Robert Trujillo joining forces with the nearly 80-strong San Francisco Symphony, with a special appearance by legendary conductor Michael Tilson Thomas. Following the initial run of screenings worldwide, the film achieved a significant global screen average of $1,500 with 460,000 admissions. The box office in North America saw the film reach $1.2 million. On the first day of release, the film reached number four at the North American box office and number three at the U.K. box office. Marc Allenby, CEO of Trafalgar Releasing, has said on the success: "The 'S&M²' shows illustrated the immense power of the iconic collaboration between METALLICA and San Francisco Symphony, from the critical and audience acclaim, to the box office results in cinemas worldwide, this film truly exemplifies the power of bringing fans together around the world via the big screen." If you missed "S&M²" the first time or simply want to see it again, head over to Metallica.film to book your tickets. A clip of "The Memory Remains" performance from the "S&M²" movie can be seen below. The shows each drew 16,000 fans and saw the four members of METALLICA playing on a circular, revolving stage in the center of the arena floor, surrounded by 75 members of the Symphony and Outwater. The three-hour concerts were split into two parts and included a rendition of "Anesthesia (Pulling Teeth)" from METALLICA's debut album, "Kill 'Em All", performed as a solo by the Symphony bassist Scott Pingel in tribute to METALLICA's late bassist Cliff Burton. Drummer Lars Ulrich told Kerrang! magazine: "The 'Anesthesia' bass solo was incredible. The way the fans reacted to that was goosebump-city. I loved the dare of playing 'Iron Foundry'. I loved revisiting songs we don't play so often like 'The Outlaw Torn' and 'The Call Of Ktulu'. "I loved how Edwin brought one sort of dynamic when he was conducting the more rock stuff, and how Michael Tilson Thomas — the maestro, the elder statesman of his world — brought in some different pieces and encouraged the fans to understand where the symphonic and rock worlds overlap. "Most of all, though, the fact that there was no barricade stood out. When was the last time you went to a rock show of that size without one? What does that barricade do? What does it mean? It's a safety thing, but in essence it's something that separates people. I loved just being able to walk out with the fans. At one point, I leaned back and let myself go into their embrace. That was a great moment." Set I 01. The Ecstasy Of Gold (Ennio Morricone cover) (performed by the San Francisco Symphony) 02. The Call Of Ktulu 03. For Whom The Bell Tolls 04. The Day That Never Comes 05. The Memory Remains 06. Confusion 07. Moth Into Flame 08. The Outlaw Torn 09. No Leaf Clover 10. Halo On Fire Set II 11. Scythian Suite, Op.20, Second Movement (Sergei Sergeyevich Prokofiev cover) (performed by the San Francisco Symphony) 12. Iron Foundry (Alexander Mosolov cover) (live debut) 13. The Unforgiven III (performed by the San Francisco Symphony) 14. All Within My Hands (acoustic) 15. (Anesthesia) Pulling Teeth (bass part performed by San Francisco Symphony bassist) 16. Wherever I May Roam 17. One 18. Master Of Puppets 19. Nothing Else Matters 20. Enter Sandman (with "The Frayed Ends Of Sanity" outro)
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