Not bad, better than most of Heritage which was shit IMO. Still miss the death vox though.
Last edited by a moderator:
I love it, but I also loved Heritage.
Opeth are one of those bands that garners a weird reaction from their fans with every album.
Personally, I love pretty much all their stuff - each on its own merits/style, etc. I will say I listen to Watershed the most which is a good mix of clean/growls. Still, love it all!
Here's another new song released today. I like this one too surprisingly.
I suspect there are a great number of Opeth fans for whom Heritage is not their only transgression.As an Opeth fan, I think I can overlook Heritage as a curious artistic experiment. If this summer's album is a good one and returns to what fans have come to expect from Opeth most of Heritage's transgressions will be forgotten.
I've always loved bands that had the courage to expand their sound or venture into dangerous territory.You know what's great about what Opeth is doing? They are a progressive band that's actually progressing their sound into new territory. If they really did do album after album that sounded like Blackwater Park or Ghost Reveries, would that be progressive at all anymore? They're doing what the fuck they want to do, and I support that to the max.
I actually also like the new songs. I think Mike has a great clean voice, and a knack for writing/performing cool melodies. And they've always had a prog rock tinge to their sound. So I support them. It's not like they've progressed to being a deathcore band or something...
You know what's great about what Opeth is doing? They are a progressive band that's actually progressing their sound into new territory. If they really did do album after album that sounded like Blackwater Park or Ghost Reveries, would that be progressive at all anymore? They're doing what the fuck they want to do, and I support that to the max.