Originally posted by Baliset
Also in regards to Dream Theater, I am sick of defending them because while I know they have their faults I realize there is no right answer. I love them and to me I FEEL emotion in their music so it doesn't matter who is right or wrong. If you don't like them you just ignore them and don't pay any attention to them and if you love them like me you listen to them. Its as simple as that.
To me there are far greater offenses to muysic out there than Dream Theater. They just do what they do and are good at it. Its just that as always music is not black and white because everyone feels it in different ways so there is no wrong and no right. [/B]
I think when people pull out Dream Theater as an example of being emotionless, I think they are mostly talking about the 30% or whatever of their music that are those fast, blurry, 15/16 sort of pieces where it often seems like the stucture is there since it's complex. But after finishing up Images and Words earlier, I actually heard quite a bit of emotion throughout, nothing I would personally identify with, but the vocalist definitely was singing with passion.
I don't have a serious problem with Dream Theater and I agree that there are greater offenses to music out there, but as the reigning leader of this movement of music (unless you count Queensryche or Fates Warning), they often get the attention that might otherwise be selectively chosen for other groups that fall under their umbrella.
The reason why I find their music fair, rather than bad or good, is partially probably because I grew up during the 80s (I'm 31 now). I rememeber when the first Queensryche EP came out. I also remember buying the first Dream Theater album (before this one) when it came out based on a recommendation from a friend who thought I'd like it because he knew I liked progressive music. At the time, to my ears, they sounded just like most of the commercial metal music of the time except played by technically excellent musicians, and this is an impression that has not worn off with the couple albums I have heard since they released it. The addition of complex unison lines in bizarre time signatures, by comparison, often sound gimmicky.
So really, it's not about being emotionless, it's more that I'd find it difficult to tell a DT ballad from a Poison or Slaughter ballad and that this 80s sort of style rubs off on all but their most complex music. I don't think this is fact, but it's an opinion, one influenced by my musical experiences over the last 15 years.
mike