Official KD "not-wiccan" Thread

Attn LARPERS

Fairies stop developers' bulldozers in their tracks
By Will Pavia and Chris Windle

VILLAGERS who protested that a new housing estate would “harm the fairies” living in their midst have forced a property company to scrap its building plans and start again. Marcus Salter, head of Genesis Properties, estimates that the small colony of fairies believed to live beneath a rock in St Fillans, Perthshire, has cost him £15,000. His first notice of the residential sensibilities of the netherworld came as his diggers moved on to a site on the outskirts of the village, which crowns the easterly shore of Loch Earn.

He said: “A neighbour came over shouting, ‘Don’t move that rock. You’ll kill the fairies’.” The rock protruded from the centre of a gently shelving field, edged by the steep slopes of Dundurn mountain, where in the sixth century the Celtic missionary St Fillan set up camp and attempted to convert the Picts from the pagan darkness of superstition.

“Then we got a series of phone calls, saying we were disturbing the fairies. I thought they were joking. It didn’t go down very well,” Mr Salter said.

In fact, even as his firm attempted to work around the rock, they received complaints that the fairies would be “upset”. Mr Salter still believed he was dealing with a vocal minority, but the gears of Perthshire’s planning process were about to be clogged by something that looked suspiciously like fairy dust.

“I went to a meeting of the community council and the concerns cropped up there,” he said. The council was considering lodging a complaint with the planning authority, likely to be the kiss of death for a housing development in a national park. Jeannie Fox, council chairman, said: “I do believe in fairies but I can’t be sure that they live under that rock. I had been told that the rock had historic importance, that kings were crowned upon it.” Her main objection to moving the rock was based on the fact that it had stood on the hillside for so long: a sort of MacFeng Shui that many in the village subscribe to.

“There are a lot of superstitions going about up here and people do believe that things like standing stones and large rocks should never be moved,” she said.

Half a mile into Loch Earn is Neish Island. From there the Neish clan set forth to plunder the surrounding country, retreating each time to their island. Early in the 17th century, the MacNabs retaliated from the next valley, carrying a boat over the mountains, storming the island and slaughtering most of the Neishes.

This summer Betty Neish McInnes, the last of that line in St Fillans, went to her grave — but not before she had imparted the ancient Pict significance of the rock to many of her neighbours.

“A lot of people think the rock had some Pictish meaning,” Mrs Fox said. “It would be extremely unlucky to move it.”

Mr Salter did not just want to move the rock. He wanted to dig it up, cart it to the roadside and brand it with the name of his new neighbourhood.

The Planning Inspectorate has no specific guidelines on fairies but a spokesman said: “Planning guidance states that local customs and beliefs must be taken into account when a developer applies for planning permission.” Mr Salter said: “We had to redesign the entire thing from scratch.”

The new estate will now centre on a small park, in the middle of which stands a curious rock. Work begins next month, if the fairies allow.
 
check out album info for the new Cult of Luna

CULT OF LUNA Complete Work On New Album

Apocalyptic Swedish outfit CULT OF LUNA have completed work on their new album, entitled "Somewhere Along The Highway". Slated for an April 24 release via Earache Records, the album's initial tracking took place over seven days in a wooden octagon barn surrounded by "Blair Witch"-style scenery close to the band's hometown of Umeå in northern Sweden. According to sound engineer Magnus Lindberg, the remote location coupled with the spotting of "Wicca witch women dancing in the woods" and the actual acoustics of the barn itself all contributed towards creating the perfect ambiance to lay down the basic tracks which were done primarily live, as a unit — a departure from previous CULT OF LUNA recording protocol. Further recording and mixing happened in Tonteknik studios where both the band's 2004 album "Salvation" and its predecessor "The Beyond" (2003) were recorded. And the result promises to more raw and unpolished then the bands previous releases.

"Somewhere Along The Highway" track listing:

01. Marching To The Heartbeats
02. Finland
03. Back To Chapel Town
04. And With Her Came The Birds
05. Thirtyfour
06. Dim
07. Dark City, Dead Man
 
I hope it's more like the beyond, which sounds like collapsing buildings pretty much all the way through. When Panopticon came out and was more mellow than Oceanic I was hoping that CoL would stay all non-stop crush mode with Salvation but that wasn't the case.

still a cool album though but, ya know.