Sounds wicked mate! Nice and big sounding, any tips on what you did to get the drums sounding so big will be appreciated
thanks.
drums are partly sample augmented, I replaced the kick with a blend of 2-3 kicks, the snare is about 40-50 original, the rest is a blend of different samples.
those blend consists of 50% the kits own sample and 50% of the snare from alestrom which again is a sample of 2 different snares, it's actually even the same drummer cause we loaned him to the storm
there's some upward-compression on snare, kick and toms (actually alot)
in the entire project I used nothing but Waves-API, MH-Channelstrip and a bit VTAPE for processing (exept fx like reverb,Delay etc which are cubase FX).
there's a bit of API EQ and Compression on the Drumbus as well.
mics were: Snare sm57 top and bottom
Overhead (close miced) Neumann km184, Ride: AKG 414XLII, Hats (not used in this song): sm7, Toms Audix D2.
Preamps:
Snare and Overhead: API 3124+
Hats: Safe Sound Audio P1
Toms: RME Quadmic
Ride: Focusrite Octopre
RME converters
Guits are 2 tracks of 5150 (biasmodded) and 2 tracks of early 93 Dual Recto (no post EQ on guitars ept HP@45Hz and LP@12.5k)
the Bass actually I didn't like, it is from our first tracking-session and we didn't have the time to retrack it, the other songs on the Cd will have better basstones.
Male-Vox are SM7 intp SPL Goldmike Female vox: AKG 414 into SPL Goldmike.
Fuckload of compression on the vox: about 6-8 dB from the Safe Sound Audio on the way in (4:1 5-8ms) then distorted, and another 6 dB of API comp with a 4:1 ratio, .3ms attack, 200ms release. then API EQ SPL De-Esser (plugin) and a bit more compression from VTAPE
API comp on the 2bus (10ms attack, 50ms release, 1.5 or 2:1 ratio 2-3 dB reduction and VTAPE again (just a smidge)
mastering through TC Finalizer with a narrow 3dB boost at 63 Hz HP at 25Hz a TINY bit of 3-Band comp (couldpost the setting if you should be interested, but don't see why you should be).
oh, and there's a bit of a .800s room on the drums as well (in addition to the 1.5s reverb on snare and toms).
the 800ms room is the same one I'm using on the vox and I'm sending the delay and split-harmonizer-busses to as well.
then there's a bit of 1/4 and 1/8 delay on the vox and also a spilt harmonizer (all cubase)