there are many techniques, it's a difficult instrument to record, especially if you want a balanced sound from all three sources (drone, chien, melody).
Before the recordings I read up on some recording methods...and then decided to do something entirely different.
Since I'm recording that "instrument" for a metal context I wasn't quite sure if I wanted it mono or stereo, I wanted to have all the options, so I decided to use a criminally underused technique...Mid-Side recording.
for the Mid channel I used a ribbon mic (Beyer m160) which captures a nice natural, smooth and warm tone from the gurdy, for the side channels I used an AKG c414.
For a pure folk band I'd have placed the mics in a bigger distance...like 4-5 ft or something, but since I needed it to really cut through heavy guitars I mic'd it rather close this time...about 40cm or so.
That combination turned out to be really nice.
Why am I telling you this?
I don't know, you'll probably never have to record a gurdy in your life....but IF you have to you have a starting point now
Before the recordings I read up on some recording methods...and then decided to do something entirely different.
Since I'm recording that "instrument" for a metal context I wasn't quite sure if I wanted it mono or stereo, I wanted to have all the options, so I decided to use a criminally underused technique...Mid-Side recording.
for the Mid channel I used a ribbon mic (Beyer m160) which captures a nice natural, smooth and warm tone from the gurdy, for the side channels I used an AKG c414.
For a pure folk band I'd have placed the mics in a bigger distance...like 4-5 ft or something, but since I needed it to really cut through heavy guitars I mic'd it rather close this time...about 40cm or so.
That combination turned out to be really nice.
Why am I telling you this?
I don't know, you'll probably never have to record a gurdy in your life....but IF you have to you have a starting point now