"Rolling Stone magazine once placed Morbid Angel in their Top 10 Most Important Heavy Bands of All Time list alongside the mighty Black Sabbath, among others. They were right. Since they burst onto the scene with their classic debut Altars of Madness some 14 years ago, they have consistently managed to define and push the boundaries of death metal. That trend continues with their latest effort in their series of alphabetical named albums, Heretic.
It's a barrage of time changes, crushing riffs and brutal arrangements in trademark Morbid Angel style. The production is far better than the muddy sound on their two previous releases. Trey Azagthoth's guitar work is very clearly audible over amazing drumming from Pete Sandoval. In addition, Steve Tucker's vocals are much clearer in the mix this time around as well. The only tweak needed would be a boost in bass frequencies. As always, the album is broken up by a couple of soundscape-type pieces, but this time closes with a drum and guitar solo in soundcheck manner. It's egotistical for sure, but it cannot be denied that both Sandoval and Azagthoth are masters of their chosen instruments. This album is a must for any Morbid Angel fan, especially those who had losts interest in the band in recent years." **** 1/2
"This album clearly demonstrates that these Florida death metal veterans lack little when it comes to technical expertise and innovative writing ideas. It is extensive sonic territory which Morbid Angel have used these skills to cover that makes Heretic a modern metal masterpiece.
Opener 'Cleansed In Pestilence (Blade of Elohim)' is a drum-driven, full-tilt affair, and the expert production is such that every stroke of Pete Sandoval's masterful precision assault is audible. Few could pull off the blink-of-an-eye tempo changes in 'Enshrined by Grace' with such finesse, and the rippling textures achieved by Trey Azagthoth's tastefully layered contrasting guitar parts in the midsection of 'Beneath the Hollow' speak of a man fully aware of the full capabilities of his instrument.
The eerie soundscape piece 'Place of Many Deaths' conjures up visions of hell on earth, and is complemented admirably by the ambient 'Abyssous'." ****