- Feb 9, 2007
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This shit is like day and night compared to Opeth's "progressive death metal". Have they been doing some acid or did they just naturally become amazing with age?
Discuss.
Discuss.
zabu of nΩd;10031920 said:This shit is like day and night compared to Opeth's "progressive death metal". Have they been doing some acid or did they just naturally become amazing with age?
Discuss.
zabu of nΩd;10031939 said:cool trollin bro. clearly a metal band is bound for utter shame if they stop being formulaic, and should not sully their good name with experimentation.
I just cant help but think this is a perfect example of everything you should NOT do on a prog rock album. I dont know how anyone can possibly see a masterpiece in this failure of an album.
The typo is understandable. 'k' is right next to 'l' on a QWERTY keyboard.
'Heritage' is what happens when musicians who know nothing about music theory try and write prog rock. Im a fan of most of their other material, but for fucks sake this album is a joke. The drumming is generic and boring (I mean really really bad), the arrangements are clumsy, and the production is flat and dull.
Ive tried to like 'Heritage' since I really dig a lot of their other albums, but whenever I throw it on I just cant help but think this is a perfect example of everything you should NOT do on a prog rock album. I dont know how anyone can possibly see a masterpiece in this failure of an album.
Its not that I think they should be formulaic and not experiment, but quite frankly Opeth arent up to the task of writing prog and 'Heritage' shows.
This comment is what happens when someone who has no clue what they're talking about tries to sound like they have sound reasons for dismissing an album. Music theory and audio engineering grad here to laugh at your bullshit.
crimsonfloyd said:On Heritage, for the first time Opeth write flat out boring songs. The compositions are sloppy, the melodies are flavorless and any semblance of mood or emotion is absent. Heritage is essentially a tasteless rip-off of the great prog rock bands of the 70’s. The finger prints of King Crimson, Jethro Tull, Yes and The Moody Blues are all over this album. However, Opeth don’t take these influences as the foundation from which to create something of their own. Instead, Opeth just lazily rehash the pastoral sound of 70’s prog rock, resulting in a campy mockery of the bands they purportedly are paying tribute to.