It's more like Dino, as a part of Fear Factory, being one of the forefathers of that "heavy verse, clean chorus" style, trying to install some sort of Fear Factory 2.0 - though he'd never admit that.
That being said, I liked the album. It wasn't anything new, especially in times when this style is heavily overdone in mainstream metal. But Dino's riffs still work for me and I got used to the vocals quickly and even liked the fact that Vext had much less effects layered on the vox. And Yeung's drumming is insane - but also insanely "artifical": perfectly quantized and sample heavy on the record - and waaaay to trigger-happy in live situations.
And that was also a problem with Vext live - he couldn't nearly live up the praise he got. But Burton was live always really hit or miss too.