there's one thing i always wonder about....
for example, many guys on here with a 5150 will record it with bass and resonance way up....like between 7-9.
how the fuck do you guys deal with the low end?? i guess everybody wants a thick tone, but every time i crank up bass and resonance i'm getting a lot of excess lows that require a lot of post processing, e.g. high pass depending on the tuning plus a low shelf taking off a couple of db below like 150hz.
i'm not quite sure why you'd want to have them that high anyways. i don't even use that much bass in a live situation, so why would i when recording, where it's even more important to let kick and bass handle the low end?
so, is there anything to be careful about when using that much bass, like mic distance from the dust cap, any special post processing or something?
i'm using a 212 cab btw, which should normally pump out even less bass than with a 412. i already tried decoupling it from the floor, no significant improvement though.
so, what's the deal?
for example, many guys on here with a 5150 will record it with bass and resonance way up....like between 7-9.
how the fuck do you guys deal with the low end?? i guess everybody wants a thick tone, but every time i crank up bass and resonance i'm getting a lot of excess lows that require a lot of post processing, e.g. high pass depending on the tuning plus a low shelf taking off a couple of db below like 150hz.
i'm not quite sure why you'd want to have them that high anyways. i don't even use that much bass in a live situation, so why would i when recording, where it's even more important to let kick and bass handle the low end?
so, is there anything to be careful about when using that much bass, like mic distance from the dust cap, any special post processing or something?
i'm using a 212 cab btw, which should normally pump out even less bass than with a 412. i already tried decoupling it from the floor, no significant improvement though.
so, what's the deal?