Ultraviolence - Life Of Destructor
Earache MOSH103 4606 1994
By Russell Garwood
Life Of Destructor, Ultraviolences debut Earache album can only be described as diverse. Their aggressive techno/industrial mix has an extremely wide fanbase, including many from the gabba and hardcore techno dance scene, industrial and metal fans tempted by the label, cybergoths attracted to Johnny Violents dark themes and venues, and many more as a result of his constant touring with people such as Moby and Cubanate.
I have always been a fan of artists who mix genre; to me it shows originality and musical ability. Ultraviolence may have the former, but certainly do not have the latter. I have never been a fan of music which strives to be extreme by lacking melody, and this is no exception. The songs are simplistic, repetitive, and may well be very good for dancing but are certainly not worth listening to. They consist mostly of a computerised drumbeat or two, plus some white noise. Any developments in the songs, such as an attempt at a tune for a short time, lack any subtlety whatsoever.The album like the songs does not flow at all, and attempts to break the monotony (for example, by adding sung vocals to The Only Love) fail miserably.
However, fans of extreme non-melodic metal may well like this as a novelty, and if you enjoy the more hardcore and experimental end of industrial or dance music this is a necessity. Groundbreaking Ultraviolence may be, but I really dont like the ground theyre breaking.
Earache MOSH103 4606 1994
By Russell Garwood
Life Of Destructor, Ultraviolences debut Earache album can only be described as diverse. Their aggressive techno/industrial mix has an extremely wide fanbase, including many from the gabba and hardcore techno dance scene, industrial and metal fans tempted by the label, cybergoths attracted to Johnny Violents dark themes and venues, and many more as a result of his constant touring with people such as Moby and Cubanate.
I have always been a fan of artists who mix genre; to me it shows originality and musical ability. Ultraviolence may have the former, but certainly do not have the latter. I have never been a fan of music which strives to be extreme by lacking melody, and this is no exception. The songs are simplistic, repetitive, and may well be very good for dancing but are certainly not worth listening to. They consist mostly of a computerised drumbeat or two, plus some white noise. Any developments in the songs, such as an attempt at a tune for a short time, lack any subtlety whatsoever.The album like the songs does not flow at all, and attempts to break the monotony (for example, by adding sung vocals to The Only Love) fail miserably.
However, fans of extreme non-melodic metal may well like this as a novelty, and if you enjoy the more hardcore and experimental end of industrial or dance music this is a necessity. Groundbreaking Ultraviolence may be, but I really dont like the ground theyre breaking.