Recent content by solphilcox

Thinning the collection, looking to trade out my trusty '68 bassman. this thing is a tone MACHINE. Bought it in a tiny town in SoCal while on the road last summer. I've never messed with it since I got it, as it appears to be well serviced.... 1968 superior Silverface model (when circuitry...

Thinning out the tele/strat inventory, both these guitars are both used and set up for pro studio work, details as follows (sorry for sideways pics) Baja tele: not sure what year, probably 2008-2010. Some standard bodywear and a chip by jack plug. Neck has been replaced with a slimmer...

Don't know if anybody knows this, but Caleb Shomo from Attack Attack! has taken a leaf out of Joey's book and has been producing some pretty sick stuff out of his house. Check out My Ticket Home, he produced/mixed/mastered this whole record and it sounds bitchin:

Lol I thought that was a Tim Lambesis joke at first glance. Speaking of palm mutes I still gotta go with despised icon 'day of mourning'

FIFA13 for iphone: so good i haven't played the console version in 6 months

shiiiit i forgot about these guys, this is great. musiciansinstituteXcore i guess?

way solid mix! congrats on the charting, hope it leads to much more work for you

they're live drum sounds for one, and he doesn't play rise records genericore stuff. he's a student/follower of Matt Greiner who is drumming royalty in metalcore, this new material does a lot more for me personally and for showcasing his chops than their previous more ABR sounding stuff. the...

PM'd!

newer stuff that is, never rated this christXcore band much before but and the Will Putney mix on their most recent (?) single is huge. Drummer Adam Gray really shines, love the tones in general and the riffs are heavy as hell.

this is goooood

fucking..... EXACTLY. wow. you sound like a bitter twat.

and most of sneap's records are not major label or at least privately funded in some way, no?? just purely talking from an amateur/entry level perspective.... there's amazing studios in the UK (longwave etc) but they're all fairly high end, ie not somewhere that 2 teenagers could easily walk...

1.) not everyone in the world is a skilled audio engineer 2.) not everyone in the world owns the equipment necessary to record and produce live drums 3.) they're clearly not a major label band 4.) They're british (i think) and UK producers/studios all either suck major ass or program...

do you REALLY have to be that guy?? i fucking love these guys, 2.24 is fucking priceless: oh and of course it's superior drummer, 80% of this entire forum uses it... give them a break, dudes can play their shit.