there's a guy named michael joly who's a first-rate mic tech who runs a site called oktavamod.com...and, as you can guess, he mods the crap out of oktava mics, along with a bunch of other ribbon/condenser mics
A compressor with a fast attack will kill a bit of the initial transient, that's what I always do if I want some silky smooth cymbals, also make sure you've got a nice reverb going there, but don't overuse it, just try to create a sort of "aura" around the cymbals that make them as if they are being played in a really nice room
this goes to all u guys, what are your choice of good cymbals especially for recording? Im using Zildjian ZHT primarily for the main crash 16" and 17".