SyXified said:For example, while Prelude on V is blatently Verdi's requiem, the Lacrymosa section is JUST a Lacrymosa section. You can find a million songs that have a lacrymosa section that sounds more like Mozart's Requiem than the X one. A lacrymosa section was established as supposed to have that slow tempo solemn feel and the lyrics were set as well. Same deal with the Dies Irae, Kyrie, Benidictus sections. They all had very rigid form and a lot of them sounded similar as a result.
I always thought Inferno was influenced by Yngwie's trilogy suite.... it's nearly identical except for the time changes.Yngvai X said:The Four Seasons is one of my all time favorite classical peices, and I've transcribed parts of it for guitar. I don't hear Summer *at all* in Inferno. For one thing, Inferno is written in Phrygian Dominant, which was a tonality not used in Baroque times at all, plus theres alternating measures of 7/8 and 5/4 in there...also not in the 3rd movement of Summer.
I know what part you're thinking of, but I'd hardly call it a lift from the 3rd movement of summer. Possibly an influence? Romeo describes the intro as "moto perpetuo-esque" in the limited edition Odyssey liners, so I'd be hesitant to even say that.
...I can see "influenced," but nowhere near "identical." Yeah, it's in phrygian dominant and has the open string thing going... but that sounds like about 40 neoclassical metal songs.I always thought Inferno was influenced by Yngwie's trilogy suite.... it's nearly identical except for the time changes.
Luis said:The Divine Wings = Mass in B minor by JS Bach + Mars by Gustav Holst.
Hope this help.