Brainstorm Metus Mortis
Metalblade October 23rd 2001
By Russell Garwood
German five-piece Brainstorm have been in existence since 1989 having played shows with Stormwitch, Exciter, Iced Earth, Sentenced and Rage they are certainly not newcomers to the metal scene. The core line-up has remained constant since the bands formation, comprising guitarists Torsten Ihlenfeld and Milan Loncaric, Andreas Mailänder on bass and Dieter Bernert playing drums. Three vocalists had come and gone before Andy B. Frank (Symphorce) joined the group in 1999.
The band play power metal with a decidedly heavier approach than many modern purveyors of the genre. This is brought about by frequent double-bass and high-speed drums, less polished (and high-pitched) but earthy and raw vocals, and a lesser reliance upon keyboards. The guitars are technically proficient and precise, and the bass supports the drums well making for a driving rhythm section. Keyboards are largely absent, but when present are well placed and enhance rather than control.
The music is often complex, incorporating numerous time changes, while the melodic nature makes it relatively accessible. The guitars frequently utilise catchy solos and riffs to make striking songs, but Andy B. Franks vocal lines can be less memorable. Although well-written, they lack the compelling nature power metal often possesses.
Metus Mortis, the bands fourth album, was released on October 23rd 2001 through Metalblade records. The best track on the album is undoubtedly Hollow Hideaway for its jumpy rhythms and effective electronic elements, while other standouts include the Queensryche reminiscent Meet Me In The Dark, Blind Suffering for the excellent drums, and almost anthemic Checkmate In Red.
Well written, competently performed and more original than most power metal, my only complaint about Metus Mortis is that some of the guitar parts sound practically identical. This isnt a problem, however, and Brainstorms music will appeal not only to power metal fans, but also to those who avoid the genre from the belief its not heavy enough.
Metalblade October 23rd 2001
By Russell Garwood
German five-piece Brainstorm have been in existence since 1989 having played shows with Stormwitch, Exciter, Iced Earth, Sentenced and Rage they are certainly not newcomers to the metal scene. The core line-up has remained constant since the bands formation, comprising guitarists Torsten Ihlenfeld and Milan Loncaric, Andreas Mailänder on bass and Dieter Bernert playing drums. Three vocalists had come and gone before Andy B. Frank (Symphorce) joined the group in 1999.
The band play power metal with a decidedly heavier approach than many modern purveyors of the genre. This is brought about by frequent double-bass and high-speed drums, less polished (and high-pitched) but earthy and raw vocals, and a lesser reliance upon keyboards. The guitars are technically proficient and precise, and the bass supports the drums well making for a driving rhythm section. Keyboards are largely absent, but when present are well placed and enhance rather than control.
The music is often complex, incorporating numerous time changes, while the melodic nature makes it relatively accessible. The guitars frequently utilise catchy solos and riffs to make striking songs, but Andy B. Franks vocal lines can be less memorable. Although well-written, they lack the compelling nature power metal often possesses.
Metus Mortis, the bands fourth album, was released on October 23rd 2001 through Metalblade records. The best track on the album is undoubtedly Hollow Hideaway for its jumpy rhythms and effective electronic elements, while other standouts include the Queensryche reminiscent Meet Me In The Dark, Blind Suffering for the excellent drums, and almost anthemic Checkmate In Red.
Well written, competently performed and more original than most power metal, my only complaint about Metus Mortis is that some of the guitar parts sound practically identical. This isnt a problem, however, and Brainstorms music will appeal not only to power metal fans, but also to those who avoid the genre from the belief its not heavy enough.
