got it as part of my late september CD haul... dig tracks 2 and 3 so far... still absorbing all these though. tbh, haven't had the time to listen thoroughly to most of it.
top row, L-R: Buried Inside - "Spoils Of Failure"(Relapse), Rodrigo y Gabriella - "11:11", Hatebreed - s/t" Special Edition(E1), Dethklock - "Dethalbum II" Deluxe Edition, Alice In Chains - "Black Gives Way To Blue" (Staub mix), John Abercrombie Quartet - "Wait Till You See Her"(ECM), The Black Dahlia Murder - "Deflorate" (good job btw, jason & mark)
bottom row, L-R: Saosin - "In Search Of Solid Ground", Paramore - "Brand New Eyes", Breaking Benjamin - "Dear Agony", Nihill - "Krach"(HHR), Lurker Of Chalice - s/t (Southern Lord), Culted - "Below The Thunders Of The Upper Deep" (Relapse), Every Time I Die - "New Junk Aesthetic"
that's about half of the Sept CDs anyway... hey, i don't smoke (anything) and drink very little.. so it's my one addiction, CDs... and i have very eclectic tastes.
made it through more of Dear Agony as i've put this post together.. and i'm digging it pretty well. sure, it's different than Phobia, but it's solid. still, if i had to make a "desert island" choice i wouldn't hesitate in packing Phobia over this one.
I think the production does take away from the music. There is no midrange at all. I have to crank the mids in my car from -1 to +4 just to hear the guitars in the mix, turn the subs down from +5 to +0 because the low end is too massive. .
Thats because its a Baritone guitar. I saw a thread about 100 posts long once of guitar players just banging their heads together trying to figure out how Chevelle gets their guit sound so fat. Not one had the ear to hear he, also, uses a baritone guitar.
So playing in dropped tunings is not guitar playing anymore...I've lived many years completely fooledIts almost like cheating to me though. Let the bass be the bass. But then again we are talking about simple 1 finger chords--it can hardly be called guitar playing--its more like a synth pad wide mix.
But then again we are talking about simple 1 finger chords--it can hardly be called guitar playing--its more like a synth pad wide mix.
Thats because its a Baritone guitar. I saw a thread about 100 posts long once of guitar players just banging their heads together trying to figure out how Chevelle gets their guit sound so fat. Not one had the ear to hear he, also, uses a baritone guitar.
Its almost like cheating to me though. Let the bass be the bass. But then again we are talking about simple 1 finger chords--it can hardly be called guitar playing--its more like a synth pad wide mix.
Does anybody know how they get his vocals to sound so gigantic? I know his voice is unique in itself, but I swear I hear tons of harmonies buried in there somewhere. Am I hearing things? Do you think they use something like that auto-tune harmony thing / melodyne or have him actually sing all of that?
I know this is a year late and buck short, but I just happened upon this forum. THEY AUTO TUNED THE LIVING FUCK of Ben's voice. The bottom line is that the dude simply can't sing live anymore. His voice is shot, probably from too much drinking, smoking(pole andor cigs). A huge example is "Lights Out" 100% of the vocals on this track are autotuned. It almost sounds like Kesha or Lil Wayne or something. The entire record is sick with autotune and punch ins. In some places you can tell that they literally punched in the guitars note by note. Its rather pathetic.
-NIX
In some places you can tell that they literally punched in the guitars note by note. Its rather pathetic.
-NIX
The reason why most of the lead/single note playing sounds like a synth, could be one of two things:
a. The guitar was sampled (aha!)
b. Notes were played one by one, tuned, and pieced together. This I think is the case.
I agree that Phobia's mix is better.