wow I see I'm getting pretty rammed in this thread. I guess here's my notes on it all:
-The band definitely did not want a normal mix. They wanted it over the top big bottom, especially kick. I actually had some other mixes with much less huge kick and it was one of the only things they desired get changed. It's no surprise to me that they keep their kick super loud live as well. They didn't just want up up from where I had it, they wanted it WAAAY up, with more click and more low end thud.
-I did not master this but I can say I agree when i hear this these days all I can think is "wow, this is really really deep". On my nice studio monitors it does just what the band wanted, absolutely punish with the kick. I'm guessing on any less than perfect audio system, possible fart city.
-Did not record or mix this album at my studio, which was probably in retrospect somewhat of a mistake. I did bring in my studio monitors to keep familiarity but i think this definitely also attributed to the overdepth of it all.
-Snare/toms are not triggered on this, like 90% of my recordings. So the "I actually think the snare is very comical on this album how the samples are different for blasts, gravitys, and hard hits." doesn't really make sense. That said, I do believe there were at least a few parts where snare hits were replaced with other hits from the same snare recording. These drums were recorded in a huge room(
www.sharkbitestudios.com) and i used what could be described as an obsurd amount of room mic on this. I'm not positive, but i don't think there's any actual reverb on the recording of the drums.
-I would say that the reasoning for this sounding nothing like much of my other work is that it's equipment wise not the same at all. the guitars were done on custom vader cabs which i never used before and the whole album was recorded on a 1970s Trident console with pretty much 100% outboard compression/eq/effects. Most my stuff i do at my place is a lot more ITB.
Hope that was somewhat insightful.
-zack