There was a thread not long about about this, and there were a lot of classical musicians mentioned. I happened to save it.
D Mullholand:
"Ahem.
Sergei Prokofiev. All the piano sonatas, but especially 2, 3, 5, 7 and 8. This is living, breathing music - when it's harsh, it's powerful and driving, better than any death metal; when it's soft, it's touching and gentle, but never boring or banal. Igor Stravinsky is also great, in a similar style.
Dmitri Shostakovich. Always desolate and darkly ironic, you can never truly figure out how many masks he hides behind. In the rare occasion when all the ugliness and mocking doom dissolve, and his music becomes lyrical, you can never be sure if this is a distraction, or a confession masked and hidden between the marching chaos.
Olivier Messiaen - "Quartet for the End of Time". Some of the most achingly beautiful music I have ever heard in any genre. It takes time to adjust to his ways of melodic thinking, but when you finally do, you will see the profound depth this seemingly sparse music contains.
Arnold Schoenberg - "Pierrot Lunaire". A sick, twisted and surreal tale set to music which confuses at first, but enchants more and more later.
Gyorgy Ligeti - the soundtrack to 2001: A Space Odyssey. Huge, morphing masses of sound and different sorts of musical fabric; music that never becomes static.
Alexander Scriabin - I'm starting to get into his music, so I haven't heard much, but what I have heard is amazingly beautiful without romantic cheese-excesses, but also not strikingly "modern" so it won't alienate the trads."
I hope that helps and saved D Mullholand some time.
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