DC Offset

I'll select all tracks and remove DC offset using the native function in Cubase right before my first mixdown. I'm assuming that once you remove the offset and save the file, it's removed for subsequent mixdowns.

Then for mastering, I remove DC offset from the mixdown file right away in Wavelab (native function as well), and also have a DC offset filter and dither running in Ozone as the last plug in the chain.


Not sure as to the validity of this approach, but it makes me feel better for some reason.


Edit: I really only notice a difference when I remove DC offset in Cubase. It might be placebo, but it seems to me that the mix has more clarity after removing DC offset from all the tracks.
 
"remove DC offset" commands notch-filter at 60hz for the US and 50hz for Europe.. so using such commands on all your tracks without needing to could potentially damage the sound of some tracks, dependant upon content. e.g., it likely won't hurt cymbal tracks, but you could ruin a bass guitar track if the fundamental or any of it's harmonics are notched inappropriately. remove DC offset only if you hear any 50/60 cycle hum... use your ears.
 
James Murphy said:
"remove DC offset" commands notch-filter at 60hz for the US and 50hz for Europe.. so using such commands on all your tracks without needing to could potentially damage the sound of some tracks, dependant upon content. e.g., it likely won't hurt cymbal tracks, but you could ruin a bass guitar track if the fundamental or any of it's harmonics are notched inappropriately. remove DC offset only if you hear any 50/60 cycle hum... use your ears.

Nope, that's not what remove DC offset does. I can't explain it that well in english, but with remove DC offset you move the audio so that you really are on zero when it's silent. Instead of having a straight line (DC) on either the positive or negative side of the cycles. Damn, too hard for me to explain. Can someone help?
 
TheStoryteller said:
Nope, that's not what remove DC offset does. I can't explain it that well in english, but with remove DC offset you move the audio so that you really are on zero when it's silent. Instead of having a straight line (DC) on either the positive or negative side of the cycles. Damn, too hard for me to explain. Can someone help?

A reader of IDG's Studio? ;)
 
TheStoryteller said:
Nope, that's not what remove DC offset does. I can't explain it that well in english, but with remove DC offset you move the audio so that you really are on zero when it's silent. Instead of having a straight line (DC) on either the positive or negative side of the cycles. Damn, too hard for me to explain. Can someone help?

That's what i thought as well.

To try and help clear out what you mean, when recording something and looking at the waveform, it is supposed to "circulate" around the center line phasewise, 0 phase. Sometimes it will be skewed to the side which causes click and pops in editing, what "Remove DC Offset" does (at least this is what i thought it did) is put the center of the waveform back on 0 phase so to speak.
It all comes from recording on tape where they induced the tape with an electric current, can't remember exactly why but they did :)

Anyways, don't know if that made any sense at all, it's early...
 
LOL. I use the DC offset command in Sound Forge 8 on all imported .WAV files. The explanation I was given was as Storyteller explains - it aligns all silent portions of .wave to the 0 axis point.. kinda like that snap to zero crossing does in wavelab...

James - Never in a million years would I ever doubt ya, but I don't think DC offset has anything to do with 50hz or 60hz.... but maybe I am wrong???
 
Frank'nfurter said:
No, it has definitely nothing to do with filtering 50/60 Hz. It has nothing to do with zero phase also.
It aligns ALL portions of wave files to the zero axis point. Not only the "silent" ones.

Hehe that's what i meant, i just couldn't think of the word for it so i called it zero phase :)
 
Frank'nfurter said:
No, it has definitely nothing to do with filtering 50/60 Hz. It has nothing to do with zero phase also.
It aligns ALL portions of wave files to the zero axis point. Not only the "silent" ones.
yeah.. my bad... read too quickly and assumed he wanted to remove DC "hum". that's what i get for reading and thinking too fast :tickled:. DC "offest" is when the average of positive and negative peaks is not zero... looks like the waveform is "lop-sided". it causes hard (maybe even impossible) to hear low frequency distortion and it's definitely electrical in nature, NOT acoustical.... the DC offset is there, in your wiring and electricity.. and not coming from the music or any recording technique done incorrectly or anything. the "DC" part of DC offset stands for Direct Current, so Frank... it does actually have something to do with 50/60 cycle Direct Current power and since it skews the wave to either the negative or positive side it also does have something to do with phase.:cool:

i've noticed two distinct schools of thought about it... those who think that since they can't hear it it's irrelevant, and those who feel it can actually harm equipment. i like to err on the side of caution so whenever i see a "lop-sided" waveform, i remove DC offset.
 
LynchpiN said:
It's pretty hard to happen when you record it properly.

Even tough you can't hear it, depending on the amount of offset, it can reduce dramatically your headroom.
as i mentioned above..it has nothing to do with recording properly..it's in the power, both from the wall and in the gear you are using. recording technique doesn't have a lot to do with it. transmitters of current can be the culprit... i had a few guitar cables that would cause it to happen everytime i tried to use them for a D.I. or whatever.... they were promptly given away.