BLUElightCory
Member
I'm going to go ahead and say that you're probably wrong. You can easily trick someone into thinking a higher quality preamp is used by "eq-ing" a preamp to sound like another. Preamps do make a difference when stacked, but Andy told me that the FF800 preamps are "fine." They're not great, but they won't prevent you from achieving professional results.
In double blind tests, people preferred the Behringer ADA8000 to Aurora Lynx converters... why? Does it mean that they're better?
My point here, is that you can't argue with results. Take any of the wav files I recorded of the solo'd guitars. Put them in your DAW, flip the phase of one pair, and listen to all the extra material. That missing material could be the foundation of some of your tones/recorded sounds. It could make them wider in the mix... it could make them "richer."
I plan on upgrading my preamps next. It's more important to start at the source- electricity. It powers EVERY piece of gear in your rig in some way or another, so optimizing it will help each link in the chain become a bit stronger.
I'm not trying to argue that clean, constant power isn't a good thing - It's definitely much better for your gear and will drastically reduce the chance of equipment damage and/or wonky performance if you have unreliable power in your studio. These things can be fixed by any decent line voltage regulator for a few hundred dollars at the most. I'm sure Andy would tell you that a simple Furman line regulator would be "fine" as well, and you'd save $1300 or so.
But if you're trying to make the argument that a power conditioner will affect the sound more than a mic pre, an A/D converter, room treatment, a better guitar amp, or any of a HUGE number of things that you can put your money into (and that the actual signal will pass through), you're just misguided.
You can't EQ a mic pre to alter it's harmonic characteristics/color or to change how it responds to transients, which are really two of the main things that give a mic pre its sonic identity. A good mic pre is not "pre-EQ'd" and you can't replicate a good pre with EQ (though I'll admit that different pres do sometimes put a little extra emphasis on certain aspects of the sound, though this usually still comes down to harmonic distortion and transient response).
I'm not trying to argue for argument's sake, I just think you'd be better off putting your money elsewhere. I guess it's none of my business, but you DID post this on the internet.
Either way, if you're happy with your purchase then hats off.