Frantic Bleep reviews

Evil review from the CRYPT:muahaha:

http://www.metalcrypt.com/pages/reviewlistframe.php?lpage=f&lsort=artistname


Ever witnessed an actual schizophrenic in action? It can be rather, well, interesting. Now, imagine that schizo's bizarre mood swings and personality changes made sound and compressed into 41 minutes of music, and you have Frantic Bleep's debut album. This one started out rather promising - an intro which actually consists of music, that being a neat buildup of guitars and varied vocals, leads into a doomy track very reminiscent of My Dying Bride. In fact, the vocalist here very frequently echoes Aaron Stainthorpe, as well as reminding me of a whiny gothic sap, a pissed off gremlin and, well, a normal singer. All seems to depend what mood he's in when he writes a particular segment of song.. oh wait, where was I? The second track, that's right, incidentally the layout of this CD is really odd, anyway this song starts out quite heavy and technical, then suddenly drops into a ridiculous passage consisting of fluttery guitar textures and whiny vocals. It's rather disconcerting really, excuse me while I scratch my balls, to find the flow of the whole thing disrupted by boring anomalies which serve no apparent purpose other than to make the musicians sound more "open minded" than they would be if they simply played good, ear-bending riffs over tight, choppy drumming, like they do for most of the CD.

I guess by now that those of you with a level of perceptive above that of an amoeba will have garnered that I'm trying to make a point. Most of this disc makes sense - it's technical without being overly wanky (for what it's worth, this puts Spiral Architect to shame simply by virtue of actually containing songs, rather than extended passes of pointless instrumental masturbation), melodic enough to catch the ear without sinking to the level of flower-prog, and contains enough twists and turns to keep the listener on their toes. Other highlights include the oddly-titled "Mandaughter" which manages to keep itself together enough to be quite epic, and most of the last track "Cone" which is a brooding, doom-laden dirge and maintains a well-crafted sense of melancholy without slipping into leaden boredom.

By sheer musical merit alone it deserves a 3.5 (remember that my preferences lean towards skull-splintering violence and/or blood-freezing evil atmosphere, so that's high praise coming from an aggression-junkie), but unfortunately it loses half a point for the interjection of those incredibly annoying little moments where the music loses all direction and starts sounding like Radiohead without drums. Hopefully for their next release, Frantic Bleep will realize that they're better off dazzling their audience with their chops and metal power rather than abruptly trying to lull them to sleep for no good reason. Then again, they did name themselves Frantic Bleep, so I'm still not 100% convinced of their soundness of mind.

3/5


:Saint:
 
Cool review from Ear Candy Mag:

http://www.earcandymag.com/reviews32.htm

Frantic Bleep,"The Sense Apparatus" (The End)
Frantic Bleep's nine-track release is a progressively Gothic metal joyride emblazoned with the dramatic twists and turns of any good mystery novel. Switching gears on a dime from Meshuggah-esque pounding to Amorphis-like dreamstates, tracks like "Curtainraiser" contain more interludes than most bands include on an entire album, yet Frantic Bleep's penchant for excess always seems fresh and exciting, but most of all, unpredictable. When you think this Norwegian trio is going to follow a pattern, it instantly morphs into something dazzlingly creative, a motif that makes THE SENSE APPARATUS an album to dually freak out and cool down to.

www.theendrecords.com

Rating:4/5
 
Review scan from AARDSCHOK MAGAZINE

aardschok_0305_album.jpg
 
Zugegebenermaßen überrascht mich dieses Earache-Release doch schon gehörig. An eine andere Prog-Band im Labelprogramm kann ich mich beim besten Willen nicht erinnern. Größere Aufmerksamkeit für Frantic Bleep dürfte damit garantiert sein, legt die Band mit ihrem Earache-Einstand doch auch ein überaus ansprechendes Werk vor. Die Basis von ?The Sense Apparatus? bildet düster gestimmter Prog-Metal, jedoch greift das Trio gerne auch auf Death Metal-Gitarren oder Gothic-Parts zurück. Ebenso vielfältig und variabel wie sich das Songwriting präsentiert, zeigen sich die beteiligten Musik in der Bearbeitung ihrer Instrumente. Vom technischen Standpunkt her ist ?The Sense Apparatus? großes Kino und progressiver Avantgarde-Metal ist von haus aus eine Stilrichtung, die Musikern einiges abverlangt. Doch Frantic Bleep geben sich keine Blöße und zeigen sich als souveräne Einheit mit teils verspielten Ideen, die dem bearbeiteten Genre problemlos gerecht wird. Trotz mitunter arg gedrosseltem Tempo und dezent spartanischer Instrumentierung befindet sich das Soundbild stetig in Bewegung und es entstehen schöne Spannungsbögen, die für Unterhaltung garantieren. Sicherlich bleibt ?The Sense Apparatus? vor allem Genre-Fans zu empfehlen, aber für ein Avantgarde-Prog-Werk zeigt sich die Platte schon sehr zugänglich. Vielleicht veröffentlichen Frantic Bleep ja genau aus diesem Grund über Earache...

From Music Scan.De

http://www.music-scan.de/infos/reviews/int_reviews_view.php?alp=F&sort_date=true&view=0
 
From The PlayList:

Frantic Bleep - The Sense Apparatus
The End Records (2005)

These songs are haunting, progressive and melodic. It sounds like someone went throught he back door of a haunted house rented to the Phantom of the Opera. There is a theatrical sound present in the vocals of Paul Mozart Biorke. He does a great job of making these songs sound scary without sounding ridiculous.

The guitar work is top notch and guitarists Patrick Scantlebury and Eywin Sundstrom are really able to shine over the slower drum beats provided by Sten Svendheim. The guitars go from heavy to light at the drop of a hat and this band isn't afraid of spacing notes out.

While this is good, its difficult to swallow in one sitting. It can get overwhelming at times where you just want to listen to something else for awhile, and then go back and enjoy the rest of the album.
Reviewed by RF

http://theplaylist.net/reviews/franticbleep.htm
 
Some German review:

http://www.amboss-mag.de/reviews/Archiv2/05/r05-02/frantic.html


A review by a swedish guy who thinks Dimmu Borgir is more progressive than us. :err:

FRANTIC BLEEP
The Sense Apparatus

Earache/Elitist
Frantic Bleep har en blå hand med sju fingrar på sin hemsida. Den får tittaren att haja till. Likadant är det med deras musik. Som så många andra band som förknippas med The End Records är detta mörk, kosmisk, experimentmetall. Men också en släng av fin kultuuuur. Norska Frantic
Bleep kan lägga till tryggt hos Arcturs fans. På The Sense Apparatus finns en av det nya årets små mirakel: But a Memory, med stödsång av Agnete Kirkevaag från Madder Mortem. Hela sången, men särskilt introriffet, är en flummig flykt bort i musikens djup, bortanför tid och rum. Men lika
bra som But a Memory är, lika oförstående kan lyssnaren känna sig för en arty låt som Mausolos som aldrig lyfter. Den här musiken är en kvist på den
gren som vi idag kallar black metal på hårdrocksträdet. Dimmu Borgir gick en annan väg, och deras musik är betydligt vassare, betydligt mer spännande. Frantic Bleep vill å andra sidan experimentera fram en egen, smalare identitet.
Torbjörn Hallgren

Groove.Se




eywin2sm.jpg


The Metal Professor Has Spoken!
 
Another thing I found:

The Sense Appartus - review

Recent listening has been mostly confined to the new Frantic Bleep. Like the other acts I have heard from UK's Elitist Records (Farmakon and Ephel Duath) the first albums are more a demonstration of the wealth of ideas and resources the band intends to draw upon during their career. In all three cases, it is however an impressive demo.

Frantic Bleep hail from Norway and although young show a lot of promise. Whilst still within the boundaries of metal, even the name indicates how willing they are to step outside this illusionary barrier. I would describe the vocals as a definite highlight as the arangements, performance and diversity of styles really impress.

Released in the US on the End Records, they have much in common with their label mates Madder Mortem including vocal and production contributions from Madder's vocalist - Agnete M. Kirkevaag.

Stylistically, there is more in common with avant garde bands like Arcturus than the slightly nu-metal influenced Madder Mortem.

An impressive debut and a band to look out for in the future.
 
Hillarious Review :

Frantic Bleep; The Sense Apparatus

Earache

(Provided by Target Distribution)

Cool name, but I am not that much into the music. It's well-played, no doubt about that - and it's definitely more varied than a lot of metal these days, but somehow it just doesn't appeal to me. I like how these guys look, however - they prove that you don't have to be ugly just because you play in a metal band. (3/6)

I'm actually thinking about a modelling career now.

:grin:

http://pastandpresent2.tripod.com/id33.html
 
Review from Grande-Rock:

This band, with the strange name, comes from Norway and has released one demo (Fluctuadmissio?) in 2002, which led them to a contract with The End Records in 2003. Now, it's time for their debut album. I would characterize the band as a progressive band because their music is basically progressive although there are many parts and vocals that are coming from the black, death, doom and gothic metal scene! The only groups I could bear some resemblance to these guys are: In The Woods and Opeth The band's music has many melodic parts and clean vocals (Paul Mozart Bjorke who is also the bassist) and on the other hand it has aggressive guitars (Patrick Scantlebury and Eywin Sundstrom) and black/death metal vocals. The whole album has a dark feeling, which is due to the atmospheric keyboards (Patrick) and the ethereal vocals (they even use female vocals). Generally, this CD includes prototype music and it?s up to you to decide whether you like this mixture of different types of music or not. I believe that the real fans of the Progressive Music (I mean those who don't care if the music is aggressive, has brutal vocals etch) will like this album. My favorite tracks are: The Expulsion, Sins Of Omission, Mausolos and Mandaughter.