Frantic Bleep reviews

http://www.sinister.com.au/_reviews/music/franticbleep/franticbleep.php?PHPSESSID=8236bc4990236154bce1b72c1b724110

The End Records are known to sign up those bands that are doing something that sets them apart. Frantic Bleep were listed on their roster as “Experimental Metal”. Pretty vague, but I gave it a shot. I’m not sure if this is “experimental” – hell, it seems that any band that uses a few effects/samples these days is called experimental. After listening to it, I suspect that The End Records couldn’t come up with anything better not because they don’t know what they’re on about, but because The Sense Apparatus defies simple classification. Which isn’t to say that it’s all over the place. Whilst one can detect a wide variety of styles, they’ve all been assimilated into a unified compositional technique. The result sounds very fresh, very Norwegian, and very unique.
So what exactly do Frantic Bleep sound like? The instrumentation isn’t anything out of the ordinary: twin guitars, bass, drums. The vocals are mainly a breathey croon (think Winds), but there’s also the odd bit of black metal screeching. There is significant use of keyboards and effects, but this isn’t really from where the album derives its unique character. Frantic Bleep, like all bands who truly defy easy genre classification, have built their style from the ground up. The guitar riffing is the most varied I’ve heard apart from eccentrics like Enslaved and Root. But it’s not so much the variety per se that is significant, so much as the manner in which it is used to articulate a singularly dark mood in many ways. The harmony is tonal, but quite chromatic: somewhere in between Evergrey and Death. It is manipulated with particular skill, varying degrees of dissonance are used to shift intensity with keen discrimination.

Whilst it’s fairly accurate to say that the keyboards and effects are mainly used only to accent, support, expand, and develop the expression that is created by the guitar riffing and vocals, it’s still a simplification. Again, this is due to the way Frantic Bleep have built their style bottom up. It doesn’t sound as though the keyboards and effects have been tacked on after all the other writing has been done. Whilst the guitars and vocals are undoubtedly the focus, the keyboards and effects occupy a much more fundamental space in the compositional structure than just being “atmospheric” (whatever that means, anyway). It’s a style which integrates all its diverse elements into a tightly controlled and unified whole.

As was alluded to above, the mood is almost invariably dark and oppressive. But it’s articulated and developed in a variety of ways. Each song contains a multitude of musical elements, each of which provide a different slant on Frantic Bleep’s unique brand of dark progressive metal. It’s by turns foreboding, menacing, exotic, mystical, ethereal, discordant, unsettling, aggressive, lyrical, melancholic, heroic, apocalyptic, ponderous, cathartic, and desolate.

The only major beef I’ve got with the album are the larger scale formal structures, which are a mixed bag. There are plenty of abrupt changes between sections. Some of these work, but others sound like the band ran out of ideas or didn’t have the skill to write a better segue. It’s also quite a challenging album to listen to, due to its use of many recognisable metal elements, but refusal to use them in an orthodox manner. Of course, for musical elitists like me, the more inaccessible the better (usually). I’ll keep digging until I find something to hang my hat on. What makes The Sense Apparatus so rewarding is that each new layer you shovel away reveals something even more beautiful. This’ll be up there amongst the best albums for the year. Very highly recommended. - 8.5/10
 
From DareDevil.DE

Frantic Bleep-The Sense Apparatus CD

The End Records

Here's yet another progressive minded act from The End Records dropping their debut, featuring 9 tracks of very unique and artistic metal. This is a pretty damn fine record on all counts mixing a variety of styles from progressive metal to thrash and at times it reminds me of Opeth or even Katatonia as well as a variety of bands on The End's roster. There's a heavy emphasis on atmosphere here as each song weaves in and out of various moods, exploring as many twists and turns as possible before coming to an end. The songs are sometimes driven by synths and a variety of clean vocal styles (including male and female vocals) but there are also sections with blistering metallic riffs and anguished vocals that help add some extra force to these songs in all of the right places. While some progressive metal acts can really lose focus and just seem like their stitching together a bunch of crazy riffs, solos and offbeat parts with no sense of cohesion, Frantic Bleep really have a mastery of careful song-writing. "…But a Memory" is a real standout with it's heavy, almost groove-laden riffs and swirling calmer sections that even employ some synth work that sounds like string instruments and it's topped off by a very emotional vocal delivery that will really get stuck in your head. They hit on so many different styles from song to song, that it's unbelievable. "The Expulsion" is another shape-shifting number that starts off heavy and thrashing and then suddenly drifts off into a jazzy, relaxing mellow part with smooth vocals. The song continues to build until there is a literal wall of sound that explodes midway through with punishing riffs and screaming vocals before it descends back into some melodic, shimmering guitar work. This album is all over the map and manages to stay powerful from start to finish. The songs travel down many different paths but Frantic Bleep never allow themselves to meander too far off course and maintain a strong focus throughout. It's all topped off with a strong production and excellent artwork/layout, which are things that seem to benefit all releases on The End. If you dig progressive metal that mixes things up frequently, be sure and give these guys a listen. Its pretty dam impressive stuff and should appeal to fans of Into Eternity, Opeth, Age of Silence, Katatonia and anyone with a very diverse taste in metal.

http://www.daredevil.de/reviews/2005 reviews june05/2005 reviews june05.html
 
Frantic Bleep has quite an accomplished musicianship for such a young band (most members are only in their early 20's). Their music can be described as dark progressive metal with just a slight hint of industrial metal. The experimentalism in this album may appeal to the gray area music genre fans alike, but an open mind may make this band's music well accepted unconditionally by any music genre fans. Fans of experimental metal will love this however. If you loved bands that have been released on Elitist Records (an Earache Records division which is operated by Lee Barret, former owner of the dominating Candlelight Records) you will love Frantic Bleep. Elitist Records is actually the band's European label so go figure. Arcturus, Type O Negative, and Amorphis fans should definitely take note.
Review by: Adhab Al-Farhan

5/5
 
Another Frantic Joke from Infernal Combustion:

November 2004: Chaos erupts in Ukraine after national elections are marred by massive voter fraud. According to a picture drawn by Anselmo, Metal Maniacs editor Liz Ciavarella was seen skulking around several polling places in the capitol of Kiev, stuffing ballot boxes with "win the new Frantic Bleep CD" ballots torn from her magazine. Though Anselmo's rendering shows Ciavarella to be three-legged and taller than most of Kiev's skyline, experts have verified the drawing as "genuine."


http://www.roadrunnerrecords.com/infernalcombustion/news.aspx?newsitemID=150

I laughed my ass of when i read this one! :grin:
 
Talk Talk, Black Sabbath and Perfect Circle, oh yeah! :loco:


http://www.dprp.net/reviews/200532.html#franticbleep

Mention ‘Norway’ and ‘Metal’ in the same sentence to many people and visions of corpse painted characters playing extremely fast and primitive music and spending their free time playing with matches near churches may spring to mind. However in recent years many of the bands instrumental in getting the black metal genre on the map, such as Emperor and Enslaved, have developed their sound into far more symphonic and dynamic pastures, whilst various musicians from the scene have taken the opportunity to form new bands and incorporate aspects of the genre into a new sound which is distinctly avant garde and genuinely progressive – the likes of Arcturus and Green Carnation spring immediately to mind, and its into the (fairly broad) territory occupied by these bands that Frantic Bleep step into with their debut offering The Sense Apparatus.

It should be noted that, although containing certain elements in their sound which help pin them to the Norwegian ‘scene’, Frantic Bleep are a young band who have clearly absorbed influences from many other groups operating in a variety of different genres. This is soon evident after even a cursory listen to the first few numbers on this fairly ambitious and somewhat po-faced concept album. The songs are generally complex in construction, with the combination of industrial-sounding synths and tight, clipped riffs which twist and turn at every opportunity recalling US ‘math metal’ kings Tool, whilst the more ‘conventional’ tracks such as ...But A Memory nod towards Tool vocalist Maynard James Keenan’s side project A Perfect Circle. This comparison is intensified by vocalist Paul Mozart Bjorke’s voice having certain similarities to Keenan’s – it also recalls, at various times, Opeth’s Mikael Akerfeldt in his mellower guise. The dark, gothic nature of the music also nods in the direction of Swedish outfit Katatonia, and a constant bleak and sombre atmosphere is maintained throughout. The band aren’t afraid of experimenting with their ‘core’ sound either – the middle of the album sees plenty of contrast, with the slower Mausolos - which sees the band go for a mellow but avant-garde-ish feel, coming off somewhere between Damnation-mode Opeth and Laughing Stock era Talk Talk – followed by the raging Curtainraiser, which has plenty of growled vocals, some fast and hard riffs which could have come from the pen of an eighties thrash metal guitarist, and some slower, doom-laden sections which bear the influence of early Black Sabbath.

Pleasingly the band have managed to absorb these varying influences and created a fairly unique sound. Despite numerous tricksy time changes, the songs in general flow well, although perhaps inevitably things get a little messy at times, and there are occasions where you think that the band are being ‘avant garde’ for the sake of itself rather than for the sake of the song. These moments are relatively few, however, and the overall impression left is of an exciting new prospect in the world of metal, who, given their relatively young age, have plenty of potential to produce some high quality work in years to come. As it is, this is a pretty impressive debut.

Conclusion: 7 out of 10

TOM DE VAL
 
Rave Magazine:

Call it avant-garde, progressive metal, or what have you – fact is, this risk-taking quartet’s sound, although rooted in Scandinavian metal, compares favorably to equally adventurous compatriots like Arcturus and Ulver, by managing the rare feat of commingling a daunting collection of obvious and disparate influences into a surprisingly unified work in The Sense Apparatus. Even more important, it contains excellent and distinctive songs, amongst which at least one, the swinging-riffed Sins Of Omission seems like a potential smash hit even for non-heavy metal fans.

http://www.raveindia.com/html/june05_rockrev.htm
 
The frantic said:
What the hell does obfuscation and loquaciousness mean? :err:

9-/10

ob·fus·cate Pronunciation Key (bf-skt, b-fskt)
tr.v. ob·fus·cat·ed, ob·fus·cat·ing, ob·fus·cates

1. To make so confused or opaque as to be difficult to perceive or understand: "A great effort was made... to obscure or obfuscate the truth" (Robert Conquest).
2. To render indistinct or dim; darken: "The fog obfuscated the shore."
3. To be used in describing Frantic Bleep: "Frantic Bleep like obfuscation."

lo·qua·cious Pronunciation Key (l-kwshs)
adj.

1. Very talkative; garrulous.
2. To be used in describing Frantic Bleep: "Frantic Bleep's loquaciousness pisses me off to no end, though I deem 'The Sense Apparatus' to be of great quality."
 
Review Scan from BURRRN Magazine Japan:

Frantic_bleep_review_Burn.jpg


I think they're comparing us with Dream theater...or someting. :err:

Sayonara.