Recently I read about something a lot of you prolly already know about: a new piece of software by Microsoft called "Songsmith". To those of you that don't: it's a tool that takes a melody line that you sing into a microphone and composes a piece of music fitting to that melody. From a software developer's point of view this is a pretty advanced piece of software. From a musician's point of view it's a joke. From a practical point of view it is at least pretty entertaining: Many people have already tried and extracted the vocals from well known pop/rock/rap songs and produced a song for it using Songsmith. The results vary. Some are pretty funny, some aren't that bad, some actually are that bad.
Now, how do you think will songsmith affect the future of music and music making? Will songsmith vanish in a few months only leaving a humorous note in the history of Microsoft? Or will it just be some piece of software some people use but most of them don't?
I'll venture a more "optimistic" guess:
Songsmith will be widely popular among kids and it will change their way of dealing with music. Among young adults it will continue to be a tool of making fun of existing tunes.
Then next year, when popularity of songsmith still increases slowly, Apple will release a new version of GarageBand where you can either sing a tune or play a riff on a guitar, a bass line, or a drum pattern and GarageBand will write a rock/punk/metal song fitting to it. It will include a guitar solo and real-time animated teaching videos that show you how to play the song on your guitar/bass/drum.
A little later Nokia will issue RingForge, which will create ring tones from tunes that you hum into your cell phone. The ring tone industry will take that as a declaration of war and Nokia will have lots of trouble although it'll turn out that nobody uses RingForge because people want ringtones of famous songs rather then their own shit.
Meanwhile, a very simple but extremely catchy tune generated by a young girl using songsmith will grow extremely popular on youtube. Eventually, a digital single of the song will be issued through all kinds of mp3 distribution platforms except iTunes. It will top the charts anyway.
At that point, it will turn out that a hidden paragraph of the end user license agreement states that all songs produced via Songsmith will be owned 50% by Microsoft. Immediately, a community will form to develop an open source version of Songsmith called FoxyMusic. The beta version will only support MIDI and produce only Rap.
When a rumour comes up that Steve Jobs will hold the keynote at MacWorld again in 2011, the music industry is in utter turmoil. The keynote will in fact be held and Steve Jobs will present iTurn, a device like a Reactable which generates music through GarageBand, ie. iTurn composes music in real time depending on a set of cubes that you can put on and move around the surface of iTurn. Of course, while doing this you can also sing into a microphone or play a guitar and it will all be incorporated in the composition.
How about that?
Now, how do you think will songsmith affect the future of music and music making? Will songsmith vanish in a few months only leaving a humorous note in the history of Microsoft? Or will it just be some piece of software some people use but most of them don't?
I'll venture a more "optimistic" guess:
Songsmith will be widely popular among kids and it will change their way of dealing with music. Among young adults it will continue to be a tool of making fun of existing tunes.
Then next year, when popularity of songsmith still increases slowly, Apple will release a new version of GarageBand where you can either sing a tune or play a riff on a guitar, a bass line, or a drum pattern and GarageBand will write a rock/punk/metal song fitting to it. It will include a guitar solo and real-time animated teaching videos that show you how to play the song on your guitar/bass/drum.
A little later Nokia will issue RingForge, which will create ring tones from tunes that you hum into your cell phone. The ring tone industry will take that as a declaration of war and Nokia will have lots of trouble although it'll turn out that nobody uses RingForge because people want ringtones of famous songs rather then their own shit.
Meanwhile, a very simple but extremely catchy tune generated by a young girl using songsmith will grow extremely popular on youtube. Eventually, a digital single of the song will be issued through all kinds of mp3 distribution platforms except iTunes. It will top the charts anyway.
At that point, it will turn out that a hidden paragraph of the end user license agreement states that all songs produced via Songsmith will be owned 50% by Microsoft. Immediately, a community will form to develop an open source version of Songsmith called FoxyMusic. The beta version will only support MIDI and produce only Rap.
When a rumour comes up that Steve Jobs will hold the keynote at MacWorld again in 2011, the music industry is in utter turmoil. The keynote will in fact be held and Steve Jobs will present iTurn, a device like a Reactable which generates music through GarageBand, ie. iTurn composes music in real time depending on a set of cubes that you can put on and move around the surface of iTurn. Of course, while doing this you can also sing into a microphone or play a guitar and it will all be incorporated in the composition.
How about that?