HTWTS STUDIO SESSION PHOTOS released!

VEHEMENCE

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Jan 3, 2002
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universalmicsetup.jpg
 
Fuck, that's alot of drum mics. Nice pics.

I have a question though, man. When you record guitars, does the guitarist sit in the monitoring room and play his part there, but run the lead into the recording room to the amp, where its all mic'ed up? I never really understood how it was done.
 
Yeah but I figured since all the shit was soundproofed there'd be no way to get the lead into the recording room. Do you just slide it under the door, or is there a special cut out path made just for it? haha.
 
Moonlapse said:
Fuck, that's alot of drum mics. Nice pics.

I have a question though, man. When you record guitars, does the guitarist sit in the monitoring room and play his part there, but run the lead into the recording room to the amp, where its all mic'ed up? I never really understood how it was done.
Well here this as I said before you can have a reamp box, record the guitar and bass tracks at home, then take the tracks to a huge ass studio to run the clean single track that the reamp injects into the computer into fancy amps and different infinite combinations to get the best sound for your record.

As long as the headphones cord is huge, thats all the drummer neets to hear anyways all studios come with headphones in the recording room, and in the mixing board room. Cant record without headphones basically.
 
That's pretty awesome man. The concept of reamp boxes was always alien to me. Nice to see recording is being made alot more practical.

When you record with the reamp box at home though, won't you need to be monitoring with a clean signal, as that's what you're recording... or does the reamp box let you somehow monitor through an amp or something whilst it sends the clean signal into the PC?
 
Yeah we did use the reamp box to use a Mesa Boogie rack set up, with some other eq's and bbe on it. But first recorded with the line 6 podxt, then ran the clean guitar signal from the computer through the mesa boogie rig back into the comp.