probably not, but what's that effect? i think it's buried way in the background repeatedly--i just heard it at 5:29. it always makes me look around and see if the office phone is ringing because it's so in the background. just jangling guitar?
is there a phone ringing in "The Antique"
- Thread starter xfer
- Start date
FalseTodd
Skirt Wizard
Yeah I always think my cell phone is ringing at that part.
Also, there's a Fiona Apple song on "When the Pawn" where there's a hit on like a vibraphone or something that sounds *exactly* like the "Your door is open, idiot" bell on most cars.
Also, there's a Fiona Apple song on "When the Pawn" where there's a hit on like a vibraphone or something that sounds *exactly* like the "Your door is open, idiot" bell on most cars.
FuSoYa
Lunarian
you might be hearing a leslie + flange on the hammond. It definitely sounds like a phone around 8 minutes or so when it's just a clean guitar arpeggio and the hammond.
Steve
New Metal Member
You should add a phone ringing so people think their phone is rining, the nturn the volume down and miss an awesome solo...
FuSoYa
Lunarian
FalseTodd
Skirt Wizard
I think we should have done the monty python trick where you very gradually lower the volume level over the course of the entire album, until it's at like 25% of its original volume, and then put like the loudest most abrasive thing imaginable right at the end.
FuSoYa
Lunarian
that'd pretty much be the musical equivalent of those stupid animated gifs that you're supposed to stare at looking for a ghost or something.
TheNewChupe
HTML is not allowed.
Firedwarf
sock puppet
Steve
New Metal Member
It's so subtle I thought I was imagining it, except that EVERY time The Antique comes on I glance left at the office phone to see if the red "ringing" light is on.
Demonspell
cheating the polygraph
The decreasing volume experiment would work great in a more condensed form...obscenely long ambient fade out, a few seconds with barely audible sounds, followed by one of those sickeningly heavy uberdoom eruptions.
