Kayo Dot is a hightlight of the week over at Aquarius

avi

W3RK3R
Aug 21, 2002
10,213
3
38
Oly, WA
www.itsatrap.com
http://www.aquariusrecords.org/

Back in 2001 we reviewed two simultaneously-released albums by a really strange death metal / prog rock / new age collison of a band called Maudlin Of The Well. Perhaps you remember them, they were pretty great and weird, and hard to figure out. Now, two years later, Maudlin Of The Well are back in the guise of Kayo Dot. Not sure why they changed their name, it must have had something to do with signing to John Zorn's Tzadik label. Yes, they're on Tzadik -- their avant-garde dreams come true! John Zorn is their buddy now! But it's clearly the same band. And if anything, better and more bizarre than before. Imagine an epic combination of Godspeed You Black Emperor!, Radiohead's OK Computer, Neurosis or Tarantula Hawk, and Faith No More circa Angel Dust (Kayo Dot's singer definitely has some sort of crush on Mike Patton)!! The heavy parts are HEAVY, the pop stuff nicely poppy, the dreamy stuff way dreamy and delicate. Music to float along with, or dive down deep into. The dense heavy sections approach Boris or Pelican levels, with screams buried beneath the din...then it'll break down into a piano interlude or Frippish guitar solo. The most avant black metal acts also would appear to be part of Kayo Dot's listening diet. An unusual Tzadik release to be sure -- even with the chamber strings and jazz horns and prog moves and psychedelically noisy parts, this has a core of both pop and metal that ironically makes this one of the *most* experimental releases on the label! Recommended.
 
Awesome review, despite the inaccurate Patton comparison. I don't hear anything closely resembling Fripp on the album either, but being the KC freak that I am it's still a huge compliment.

Here is that site's MOTW review:

Andee and Allan saw this band play last year at the Milwaukee Metalfest, and they made a definite impression: imagine a death metal band (three or four long-haired dudes with the requisite t-shirts and musical equipment) sharing the stage with several complete incongrous-looking college band geek -types (playing trumpet, violin, french horn -- highbrow western art music instruments like that). This band is then fronted by a short-haired singer with a mustache who is painfully, obviously really *into* Mike Patton of Mr. Bungle. They weren't that great, really, but it was a nice change of pace from the generic death/black fury of the rest of the fest! Now, here's their new albums (not one, but two) and our friend Drucifer tells us that they might be the records of the year! Well, we *never* listen to him...BUT...these are pretty astounding, actually! Bizarre and intriguing, anyway. We're not complete sure if they're really *good* or not, yet. This new stuff sounds kinda like a relaxed Ulver jamming after listening to some old Radiohead, only occasionally remembering that they're supposed to be playing metal. Or Voivod on a New Age kick. Weird! Lots of acoustic guitars and sensitive-guy singing. Mixed with church organ, mellow saxophone, watery sound fx (the disc is called "Bath" after all!), and some ethereal female vocals. The metal content is minimal, there's maybe only three songs out of the ten found here where the drums and guitars work themselves up into a truly metallic velocity and heaviness (but when they do, it's really heavy). "Leaving Your Body Map" is similar (we thought maybe one of these two discs was the "heavy" one, the other not, like the last two Areyon releases, but that's not the case). Like "Bath", this is on the pretty side. Delicate. Emotion-filled. Melancholy. Quirky. With sudden, unpredictable bursts of very heavy metal. These guys (and gals) have to be commended for trying something different, although it's a bit hard to get one's head around. They're trying to get something across that really hasn't been done before, and they're obviously talented. We're guessing that they're Hampshire College English/Music majors who also happen to be really into Opeth, Morbid Angel, and giant squids, and art. Check 'em out if you dare.
 
It seems that in every motW/Kayo Dot review I read, the reviewer says "It's like this + this + this + this!"

That must be quite annoying.

Still, there's no such thing as bad publicity. (Well... Of course there is.... but. . . . .*hides in a box*)
 
The endless comparison thing is a staple of mainstream music reviewing, but I've seen it used in annoying fashion by online critics as well more often than not...it often seems like an effort to get someone to think "wow, that guy (thinks) he has diverse tastes!"
 
People in bands always have to dis critics. Music is one of the best things to write about!

Unfortunately, it requires a lot of comparison. How do you describe the color orange without showing a picture of the color orange? You liken it to other colors--"try to picture a mix of yellow and red"--or, even better, try to think of other orange things ("you know the oompa loompas' faces? orange.").

 
Yeah I totally agree with Alex. As easy as it is to take a hack at music critics, that writing is very important, and assessing a group by looking at other musicians/groups is a very useful (perhaps unavoidable) tool.

Incidentally, I read the last sentence of Alex's post as "you know the oompa loompas' feces? orange." Which would certainly speak to Alex's diverse, eclectic tastes.