Sly
Member
I used Cutting Room on numerous projects and it always turned out great. Engineers were Mats Lindfors and Tomas Eberger. Very clean, transparent, balanced sound, ideal for metal productions.
I plan to use Trillium Sound which looks really great on a few upcoming projects, cheap but great gear, great guy.
I heard Peter In De Betou is very good too.
The mastering process won't fix individual instruments, but here's what a mastering engineer can do when it is possible :
- tighten up the lower part of the spectrum : boosting, cutting, compression the right frequencies to make the instruments sit better in the low mids, basses and sub basses.
- boosting some "musical" frequencies : this occurs in the higher part of the spectrum (high mids, highs). Slight boosts here and here with a good EQ or another processing can make the music more alive/agressive depending on what you want.
There's generally a lot of compression, EQ, stereo widening going on, to get the perfect balance he can get with the mix he has in his hands.
I plan to use Trillium Sound which looks really great on a few upcoming projects, cheap but great gear, great guy.
I heard Peter In De Betou is very good too.
The mastering process won't fix individual instruments, but here's what a mastering engineer can do when it is possible :
- tighten up the lower part of the spectrum : boosting, cutting, compression the right frequencies to make the instruments sit better in the low mids, basses and sub basses.
- boosting some "musical" frequencies : this occurs in the higher part of the spectrum (high mids, highs). Slight boosts here and here with a good EQ or another processing can make the music more alive/agressive depending on what you want.
There's generally a lot of compression, EQ, stereo widening going on, to get the perfect balance he can get with the mix he has in his hands.