thanks!...Amps: rhythms were 4 tracks thick... used 6505+ on all 4, then re-amped tracks 1 and 2 again through the Krankenstein. solos are Madison Divinity. The Drums were a Pearl Master Custom set except for a DW sandwhich snare, and was miced with Audix D series except for top of snare which was a 57, and Nueman KM184's for OH's and AKG 4051's for hat and ride. tracked through an SSL 4K, but a couple tracks were through AMEK 9098.Wow. this is probably my favourite thing I have heard from you James. What guitar amps and drums were used? Really love it!
thank you Lasse, and yes... you hit the nail on the head there.perhaps James just trusted that if no download link was provided people here would honor his wishes and not be a jerk and download it anyway
James: stellar, this * is definitely one of my favorite mixes from you!
not quite. toms are original. snare is enhanced, kicks are replaced.:Smug: this was a nice kit, recorded in a killer room, with excellent pres, and a consistent drummer. they sound like they are supposed to. suits the style, suites the band.. and compared to quite a frew very "big" bands in the genre, produced by "big" engineers.. they sound downright organic.... which is no surprise considering that except for kick you're hearing plenty of the real kit in the room.Awesome vox recordingbut fake sounding drums...
thanks!...Amps: rhythms were 4 tracks thick... used 6505+ on all 4, then re-amped tracks 1 and 2 again through the Krankenstein. solos are Madison Divinity. The Drums were a Pearl Master Custom set except for a DW sandwhich snare, and was miced with Audix D series except for top of snare which was a 57, and Nueman KM184's for OH's and AKG 4051's for hat and ride. tracked through an SSL 4K, but a couple tracks were through AMEK 9098.
just to clarify, and hopefully fully answer your question, we tracked 4 separate takes for the guitar sound... and all 4 with the 6505+... later i took the first 2 of those and re-amped them through the Krank.. and the krank is lower than the 6505+... i just like the smooth top end of the krankenstein and use those tracks to blend some of that in with the raw balls of the 6505+.Thanks James - I noticed you did a similar thing on a previous mix with running the same 2 tracks through 2 different amps. Are the Krankenstein reamps blended underneath the others? Does it make a lot of difference to the final tone? Like, as opposed to having a third take and having that through the Krank?
Also, the drums sound great, you can tell you have engineered it well, and there is nothing really fake as far as I'm concerned. I'm really finding a lot of luck using DW snares at the moment, yet another great sounding example of one.
Very nice indeed! Awesome low end on the floor tom!
on the floor tom, yes. D6 in the kick, D2's on the rack toms... i5 on the bottom of the snare drum.+1; you mentioned that it was an Audix D-series, was it the D4?
yeah, the vox came out great on this.... a big part of it really was just working very closely with the singer, and taking our time... he's a hungarian immigrant and has still some accent things ... some of which work great and give his voice a cool character.. and others, like pronouncing a "d" rather than a "th", as in the words "there"(dere).... he really was concentrating on enunciation to avoid those not-so-cool sounding things but at the same time i kept coaxing him to sound "viscous" and "blasphemous"... or "fierce".. things like that.... he also projects really well but not overly loud.. certainly not quiet.. but not so loud as to strain too much.Nice! Yeah, those vocals have something special going on there both in quality and his voice/style. What mic was used?![]()
he's a hungarian immigrant and has still some accent things ... some of which work great and give his voice a cool character..

definately reminds me of dissection
great job man this sounds amazing even through my cheap creative speakers!