I know it's total blasphemy to say this, but BLS just does not do it for me at all. Every record I'm hoping it's gonna change and I'm going to love it....but it just never happens. The production is way better then most his albums though (still not amazing though).
HOLY SHIT YEEESSSS BLS IS FUCKING BACK!!!
I guess his new studio helped him a lot on concentrating on doing great music
You know staying at your place, no hurries and other shit can help you with some great tunes
Some of the Best BLS since 1919...still wish he'd do some Pride and Glory tho!
Is it just me or did BLS lose the massive riffage over the years?? Stuff like Suffering Overdue/Genocide junkies/13 years/ Counterfeit god are super-riffy compared with the newer stuff
Never was a huge fan of Zakk or BLS, but if there's one thing I really dislike it is the sheer amount of pentatonic twiddlers he has encouraged.
THERES ANOTHER 7 NOTES ON THAT DAMN GUITAR!
Never was a huge fan of Zakk or BLS, but if there's one thing I really dislike it is the sheer amount of pentatonic twiddlers he has encouraged.
THERES ANOTHER 7 NOTES ON THAT DAMN GUITAR!
Öwen;9170261 said:To be fair there are just as many harmonic minor abusers thanks to people like Yngwie Malmsteen.
The pentatonic, for me, is pretty much the epitome of rock and roll soloing, theres a lot you can do with it and it does have a real classic vibe to it when used right. I'd rather hear a raunchy, over the top pentatonic based solo with loads of bending and wailing than someone like Gus G running off a scale exercise.
would rather listen to Zakks soulful "fired up" pentatonic leads than most of todays lame "licks players". Half of todays metal soloists sound like they learned every lick off a generic shred dvd and put no feel or personality into it at all..lame
plus when Zakk hits the speed runs in that solo he switches to diatonic patterns anyways!
Zakks voice on the breakdown before the solo is FIERCE!
Not sure why I'm compelled to weigh in on this, but...the scale you're playing in doesn't automatically determine whether your playing has "soul" or not. Yes, a lot of these super-technical players have no emotion in their stuff, and that sucks. But playing the same pentatonic stuff for 15 years straight also lacks emotion, and also sucks.