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Rate: 666 out of 666

Bands that keep you waiting for an album for an extended period raise the expectations exponentially. Eight years, in my book, definitely epitomizes extended, and Israel's Orphaned Land has actually made something more than worth the wait. Mabool is grandiose without being overbearing, hugely epic in scope and far more forward thinking than the two previous Orphaned Land releases. It's nearly impossible not to become hooked immediately and once hooked it's nearly impossible to cease listening. The only way to pull off such a lengthy hiatus between albums successfully is to create an album so good that it's impossible for it not to be recognized. Mabool commands that it be heard.

This is one hell of a diverse album in all departments. It features both male and female vocals, both growled and sung. The clean singing can be described as somewhere in between power-prog and the standard for ethnic blends of metal, never failing to be epic and strong, but also never getting to the point where it becomes cheesy. The instrumentation is without flaw. An amalgam of styles come together seamlessly through expert musicianship. Stylistically, Mabool ranges from progressive, power, Viking, and ethnic Middle Eastern, to some passages that are simply beyond categorization. The most interesting instruments used are definitely the various Middle Eastern percussive and string instruments that find their way to the foreground on many occasions throughout the nearly seventy-minute duration. But even the more standard instruments are used as best they possibly can be. The use of classical style Spanish guitar blends finely into pure heavy metal and progressive synths make themselves at home within sections of ethnic influenced heaviness. What's not to like?

Production is top notch, doing every single section just the service it needs. These guys knew the sound they wanted and apparently worked hard at achieving it. It was a success. The distorted electric guitars sound chunky and heavy, the various acoustic instruments are warm and gorgeous. Synthesizers and drums are exactly in the mix as they're intended to be, never stealing the glory from what's in the lead, but always making themselves apparent. My one tiny complaint is the very few instances of spoken word narrative being slightly louder than necessary. Of course, that's nowhere near enough to detract from the perfection this album accomplishes.

With Mabool, Orphaned Land have truly proven their greatness. It's likely an early contender for some extremely high placements on many top ten lists of 2004. Their vision has obviously been realized to a tee. Nothing here is less then perfection and this is a huge breath of fresh air into the metal world despite not being so outlandish as not to be a perfectly suitable listen for even the most discriminating metal fans. Mabool absolutely goes very highly recommended. It can safely be said that only the deaf might be disappointed by this fine record.

Choice Cuts:

The Kiss Of Babylon (The Sins)

Halo Dies (The Wrath Of God)



Direct link for the review:
http://metalreview.com/albums/default.aspx?album=810
 
Review on the new album as published on romanian Kogainon magazine

ORPHANED LAND(ISR)-''Mabool (The Story Of The Three Sons Of Seven'') CD'04 (12 tracks, 68. 02 min)

(CENTURY MEDIA)

It took over eight years to enjoy again a new album of these musicians! I admit I am a big admirer of OL and their first album never leaves my car. Even if the new approach is pretty shocking… after an attentive listening I came to discover that the new album is a brilliant one! Very complex, built on a proper Metal structure, the five trespass almost all Metal styles, from aggressive brutal Black Metal, encountering Dark Doom or Atmospheric frames to Progressive as a final destination. If it is to be a more detailed analysis I'd say that neither Psychedelic Rock influences nor Jazz frames miss from the picture. And for complete scenery… the amazing element is none other than traditional music overwhelming the entire sound throughout oriental instruments of great value and importance! Ahhh, I forgot to tell you that amongst guitars, battery, synth, piano, cello, violins, Oud, Bouzouki or saz, there are to be noticed remarkable impressive female choirs, diverse voices from aggressive and brutal ones to chanted melodic intoned or whispered ones! After listening to the album for more than a few times, you come to realize that it actually is the most melodic one in the band's history and in the same time a transit album making a passing from aggressive Metal, based on Death/Black Metal, to a modern calm melodic and digestible Metal. I believe it is the most complex album I have listened to in the past years and probably such is granted by the stylistic synthesis featured inside. It is, if you prefer, a kind of overpass between the music they started to play 12 years ago and the characteristic sound of today. Most certainly, a new album would bring other major changes and probably the structure would be a Progressive one in which Kobi's voice might leave all extreme profiles. We shall live and see!
www.orphaned-land.com Rating: 0.96/1 (18.01)
 
ORPHANED LAND – Mabool / Century Media

Rate: 9/10

This is the fourth album of the band and the first to contain new songs since ''El Norra Alila'' which was released in 1997. I am simply impressed by the guys and I consider their album to be one of the finest I have heard so far and although it's still very early one of the best for 2004. The way they mix metal with oriental and Middle Eastern melodies is simply amazing. The arrangements are amazingly rich and the use of weird instruments and percussions is enriching their sound beyond belief. It's not just the fact that they use these instruments it's how they use them and the way they manage to blend their different influences into one complete song. The vocals are both male and female, classic and choir like and they fit perfectly with the music and the style of the band. The production is equally good and the final result is highly recommended to anyone with an open mind for new and exciting things. Well done guys and I hope to hear more from you in the future.



http://www.tombstone.gr
 
http://www.revelationz.net/index.asp?ID=1034




Wow, what a great adventure!

Orphaned Land play the most original and intriguing music I have heard in a long time. They succeed in mixing the best from many musical genres into something very unique. Okay, so I have not heard any of their other albums, but if this is anything to go by, then I must get them as soon as possible. The band was formed in 1991, released their first album Sahara in 1994 and the second El Norra Alila in 1996. Since then the band has not put out any new music due to the state of their homeland, Israel. But now they are back with this remarkable concept album, that will surely please all fans of Progressive Metal and anyone with an open mind and love for music in general. Dubbed by the band themselves as Middle Eastern Metal, I do not disagree.

The five members of the band are helped by a number of guest musicians and together they utilize pretty much every instrument and vocal style you can imagine. Lead singer Kobi switches between deep brutal growl-like and clean vocals, both voices fitting the drama of the music perfectly. His voice has an incredible amount of feeling. In addition female vocalists and choirs play a big role in many songs and add to the vast atmosphere of the music. Everything is layered in a very convincing way and many beautiful harmonies are created.

Instrumentally the album is very special too. You have the well known, electric and acoustic guitars, bass, synths, piano and drums, along with violins and cellos, but also several oriental & middle eastern instruments enhance the music. Due to the clear and powerful production every instrument has its own place in the sound and I never felt like it was too much. Well thought out and incredibly creative arrangements make the songs flow together like a great river of Metal, where taking another dive always leads you to some new undiscovered place. There is constantly something going on and listening closely to this album either very loud or with headphones is an overwhelming experience. 68 minutes of excitement literally fly by while you're taken on an epic journey with the sweeping introduction of Birth of the Three all the way to the final soothing instrumental Rainbow.

Most of the lyrics are sung in English, but also Hebrew, Arabic, Yemen, Latin and a form of gibberish language created by the band themselves. This may seem weird, but it works surprisingly well and only adds to the atmosphere. This is one album where I would have loved to be able to read the lyrics as the concept, which has religous overtones, is pretty complex and seems to have many layers. I guess I'll have to wait till February 23rd when the album is released.

All these things make the album something special and the oriental and middle eastern elements add a very unique feeling of drama and mystery. The music may sound complex, but it captured me right away, as it is filled with compelling melodies. The melodic nature of the music along with a myriad of cool touches give the album a longevity far beyond the average release.

As opposed to the album I fear that I will start to repeat myself if I go into every song. It is also hard to pick one specific song as they are all tied together as one. So many highlights are on the album that I will just comment on a few personal highlights.

Ocean Land is certainy one of my favorite songs. Starting out as an acoustic piece with new instruments being added at each turn of the melody, heightening the atmosphere until a heavy electric guitar takes over the main melody. The mesmerizing vocal melodies in this song are fantastic and the contrasting brutal and clean vocals work perfectly together here. A very cool guitar solo along with the surprising, but perfect ending add the final touch of brilliance.

Halo dies is another far reaching song. The way the piano and acoustic instruments play together with the heavy rythm guitar in the beginning is genius. The choirs in Building the ark are very beautiful and Nora El Nora is a cool middle eastern piece.

The calm before the storm is just what the title says. A completely relaxing and beautiful piece based mostly on acoustic guitar, leading the listener to the title track, where everything takes a darker turn with haunting violins, slowly being replaced by a thrilling rising guitar melody and an ominous spoken part... and then the song really takes of. The drums and cymbals are of special notice in this song.
The guitar solo in The storm still rages inside is also just fantastic and captures the essence of the music beautifully.

I had a hard time finding any faults with this album. I found it very intriguing upon the first listen, and after many many more I still find new things in the music all the time. The music draws you in and doesn't let go easily. The band is extremely tight and play their instruments with skill. I can heartily recommend this album to the metal fan who is looking for something really special and different. I have a feeling that especially fans of Opeth and Pain of Salvation will love this one.

The album has many chilling moments and in the end I find this release to be truly fascinating, beautiful and unlike anything I have ever heard before. Orphaned Land is more than just a band. They are an experience.


Listening tips: Everything. But to get a taster check out Birth of the three, Ocean Land, Nora El Nora, Halo dies and Mabool

Rating: 9/10



more!

Legacy (gr) - 15\15
Metal Hammer (It) - 6\6
Rock Hard (gr) - 9\10
Metal Heart (gr) - 9.5\10


[font=Verdana, Arial, Helvetica]french review: 18.5/20

http://www.metal-immortel.com/orphaned_land_mabool_the_story_of_the_three_sons_of_seven.htm
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The last album of Orphaned Land, El Norra Alila, went back to 1996. It is thus with certain impatience until one waited his successor: Mabool -The Story Of The Three Sons Of Seven who is much more than the height of our expectations. It has a rich base, does the music of the israeliens gain still in-depth while mixed with always more elements of death, of progressive, of tradionnelle music, of black and heavy in a magic potion and magnificence by a complex concept and completely ???... A blow of ???, all things considered. With the instar of a group like M?go Of OZ, the folk elements exploited by Orphaned Land are presented in addition of the metal parts: multiple tracks (not less than thirty guests on this album: cords, percussions, chorus-singers etc) overlap, enchant the listener. Does each influence push the others in their last cuttings off what succeeds? complex passages and concerts in motion of pure beauty like the end of 'The Storm Still Inside Rages', the intro of 'Ocean Land' (The Revelation) or medium of polyrythmic Halo Dies and its use of effects. The voice of Kobi Farhi is, the instar of that of Mikael Akerfeldt, dual while playing as well on the obscurit? song death that on the magnitude of the clear song, a little weak per moments. The feminine voices (A' salk...) and the many choruses (Birth Of The Three...) party all along wafer bring a dramatic dimension. But the great force of Mabool-The Story Of The Three Sons Of Seven is in its incredible fluidity: the whole disc passes like only one length piece, a little like Nightfall In Middle Earth. Moreover the bringing together with Blind Guardian arr?te not because the clear voice is sometimes rather close to the stamp of Hansi. Moreover, the constant search of original and music which leaves the paths made think the d?marche of German. What emp?che by no means the group to play some easier passages and"rock'n'roll N roll" like the intro of A Call To Awake which, catch individually, is not the best in the world but which in the medium of a dense unite ables us to breathe a few moments. To breathe, Does Orphaned Land have hard passages folkloric of a ma?trise and a lyricism? to cut the breath like the interlude A' salk completely magnificent by the singer. Building The Ark is for its part quite simply splendid with its parts of acoustic guitar. Because it is well still one of the many promesses of Mabool-TheStory Of The Three Sounds Of Seven: it east can?tre larger than natural but there remains humble and sincere. That does not arrive every Monday... Rainbow (The Resurrection) is of this masterpeice. In fact, only Nora El Nora and The Calm Before The Flood (which are encha?nent unfortunately) are not transcendent: does one miss coherence and is geche by its deuxi?me left, electric whereas the deuxi?me tra?ne well too as a long or. Is the climax of this Mabool-The Story Of The Three Sons Of Seven its double Mabool (The Flood)/The Storm Rages Still Inside. The dramatic intro cords of Mabool (The Flood) will leave place with the most beautiful extreme parts of this disc but, as always with Orphaned Land, doesn't the stagnation have time to settle only d?j? parts of clear song d?boulent which will make the transition towards apocalypic 'The Storm Rages Still Inside', quite simply does one of best the songs to hear in my short life. How to remain insensitive in front of parts of guitar solos and final in interminable form of orgasm? You would have understood it by now: Mabool-The Story Of The Three Sons Of Seven is the best album of this year (and which will not be?tre can not d?tronn? from here to december) which, like the succulent last albums of Opeth, must itself of?tre ac

Songs that "Kill" (favorite songs):
Mabool (The Flood)
The Storm Still Rages Inside
Halo Dies
 
Rock Hard France 9/10

ORPHANED LAND
Mabool : The Story Of The Three Sons Of Seven
Century Media / M10
Middle-Eastern Metal

After eight years of absence, the Israeli group Orphaned Land returns with its third album: Mabool. It is necessary to speak about true rebirth because while metal did not evolve in a surprising way, the metal practiced by Orphaned Land sounds at the same time modern and experimental, even if Mabool is the logical continuation of the Sahara (1994) and El Norra Alila (1996). Everyone will be able to find its happiness in this album because it varies all the time, one passes from the death, with the progressive via the black, the heavy and of the melody parts. Arrangements are sumptuous with divine choirs. As with accustomed, average-Eastern environment is omnipresent throughout the album through choirs and use of traditional instruments which are in perfect symbiosis with the metal of Orphaned Land, proving to the skeptics that metal is an unbounded style. The songs are written in English, in Hebrew, in Arabic and Latin, which reinforces the particular atmosphere and mystic that is released from this album. The voice of Kobi Farhi is absolutely splendid, melody and powerful all at the same time alternating between clear singing and cavernous song. Mabool is an ambitious album, rich person in ideas but also in emotion and who requires several attentive listening to discover of them all the recesses and all musical subtleties. It should be noted that the album comes in limited edition CD with no-claims bonus containing 5 recorded acoustic titles live.
9
Dyder
 
9/10 Metal Reviews UK
http://www.rockreview.co.uk/album_details.asp?ID=228



Artist : Orphaned Land
Album : Mabool: The Story of Three Sons of Seven
Release Date : 23 February 2004
Genre : Experimental
Artist Website :
http://www.orphaned-land.com
RockReview Rating : 9 / 10
Buy This Album
Reviewed By : Bort | Contact :



After an 8-year wait, Israel's Orphaned Land return with Mabool, an epic album in every sense of the word. Mabool (meaning 'The Flood') is a lyrical concept album taken from various Hebrew and Latin religious texts and praising songs, exploring the biblical story of the flood (starring Noah) in 12-tracks, each separating a different aspect of the story - 'The Wrath of God', 'The Quest', 'Building the Ark'…etc. And that's just one section of this albums massive diversity – when Orphaned Land make an album, they go all out.

The musical styles merge back and forward between experimental progressive rock, doom-y black metal, power metal, Goth rock and colour in all options in between. The bands middle-eastern roots shine through in their music, and this gives them an oriental fresh twist to all the above mentioned genres they trundle through.

Pulling this off with a variety of middle-eastern instruments, such as the Oud, Saz and Buzuki – not to mention the fact that they also incorporate Violins, Cellos and Pianos into their music, as well as a variety of classic and Spanish-sounding acoustic guitars. That's not even mentioning the synths and effects they use, as well as the fact that the drummer plays 10 different types of percussion.

The vocals switch between male, female and choir, and growled, sung, chanted, moaned and spoken. As well as being sung in 5 different languages, including English, Hebrew, Arabic Yemen and Latin – and the occasional nonsensical gibberish. The album also features over 30 guest appearances as well as the 5 original members.

The production is perfect and the first pressing of the album will even feature a bonus live acoustic CD. All this describes an album and band that deserve a helluva lot of respect for displaying an experimental and thorough attitude and approach to music that is so often missing in these modern times. And even if the music actually sucked, this would be a memorable album –thankfully, it doesn't, and this is one of the best and overall most interesting releases of a long time.

RockReview Rating: 9 / 10
 
[font=Verdana, Arial, Helvetica]Live4metal Review!!!

http://www.live4metal.com/reviews-140.htm

Orphaned Land - Mabool (Century Media) review by Pete.

It has been 8 long years in the wilderness for Israeli band Orphaned Land. I fondly remember previous album El Norra Alila, as it was a work of sheer originality and at times breathtaking beauty from the Holy Land (and on the Holy label to boot). So was it worth the wait and does anybody actually care whether Orphaned Land bothered to make a comeback? Well the answer clearly lies in Mabool, as this is an album of biblical scope and diverse ideas. As the biog amusingly states the vocals are sung in 5 different languages, ''English, Hebrew, Arabic, Yemen and Latin as well as gibberish''. Then you come to the sheer scale of the instrumentation that is involved. Apart from the normal (guitar, drum,
bass and keys), we also have the not quite so normal (violin and cello) and the what the hell are these? (oud, suz and buzaki)! As for the story itself, even a heathen like myself realises it is based around Noah and the great flood. One can imagine a German power mullet band taking such a concept and destroying it in a Rick Wakeman manner but Orphaned Land make it all work dramatically, brimming over with Eastern mysticism and enchantment.
With stirring bombastic rhythms this 68-minute odyssey whips in like a Saharan dust devil on Birth Of The Three (The Unification). Clean vocals and soft spoken word passages narrate around the storm and you are quickly immersed in a myriad of flavours. The one thing that does become quickly evident are the progressive elements in the music that cohabit side by side with occasional deathly growls, female choral passages and more traditional licks. In the space of 7 minutes the track has done so much more than other bands entire careers.
For somebody that normally saturates themselves in the nihilism of harsh black metal this is an album that I find hitting me in a completely different way. The spiritual uplifting and dramatic force behind it perhaps wont have me changing from the left to right hand path but this musically preaches with far more conviction than anything you could hear in church (or perhaps the synagogue). The Kiss Of Babylon fluctuates between vast drum rolls and belly dancing vocalised temptations. Halo Dies (The Wrath Of God) is an angry number at times indeed. I guess there are moments of Opethian magnitude but that is probably more due to the implicit instrumentation skills of the musicians than mere style. Also a very black metal keyboard spell entwines things along with very noticeable Prog laden noodles. Building The Ark almost gives me a reference point as it sounds very much along the lines of the mighty Therion but such notions are quickly eradicated by the Hebrew chanting on Nora El Nora. Mind you the Joe Jackson / Huey Lewis piano interlude at the tracks end is a tad confounding. Mabool (The Flood) hits with a devilish violin jig cutting through the sound of driving rain but the melody and guitar solos that break through on The Storm Still Rages On are almost enough to have the sun shining down again. Sure enough it does, as the last instrumental Rainbow is the final pot of gold at the end of a truly memorable album
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Belgian review here
http://www.chez.com/xaen/metal/mindex.htm?loc=reviews/r529


Après une traversée du désert de 7 ans, les Israéliens d'Orphaned Land sont de retour, et ce retour est certainement un retour gagnant, pas une de ces reformations à la noix et purement mercantile qui pourrissent trop souvent le métal. Ce groupe a réussi le tour de force extraordinaire de mélanger sa culture orientale au métal d'une manière extrèmement intelligente et naturelle. Côté métal, tous les genres y sont ou presque : ambiances dark, death, sympho, thrash, heavy avec un bonne dose de prog... et sur cela, imaginez une douzaine d'instruments traditionnels israeliens (surtout des percus et des cordes), plus des violons, de la guitare acoustique. Côté chants, c'est pas mal non plus, de bons vocaux extrêmes, un chant masculin médium très agréable, des choeurs classiques et une chanteuse aux intonations arabisantes absolument enivrantes. Tous ces acteurs cohabitent à merveille et chacun trouve sa juste place gràce à une production idéale (4 mois de studio !). Cette débauche d'efforts sert à merveille un concept ambitieux, inspiré du thème biblique du déluge (" mabool " en hébreux) mais aussi très complexe. Cette complexité se retrouve aussi dans la musique, que de nombreuses écoutes ne permettent pas encore de cerner à 100 %. Je crois qu'il faudra des années pour faire le tour de toutes les subtilités de ce cd, c'est donc un investissement très rentable ! " Mabool " est une réussite artistique exemplaire, et l'illustration d'une intégration est-ouest et nord-sud parfaitement réussie, à méditer !
 
here is an review of mabool(from metalireland.com)
"One could complain that this has been too long coming. But the moment 'Birth of the Three' weaves its sinuous path, it is abundantly clear that alot, and may I emphasise alot, has gone into their massive and ultra layered new album. Their sound has certainly slickened, and gone are the rougher, more underground soundings of their past efforts, chracterised as they were by an early or mid period Paradise Lost timbre. But those days are almost gone in general, and noone would expect a band to sound stultified in their era seven years on, tepting though it is. 'Mabool' is a work of immensity. The depth of composition, the variety of instrumentation and the unashamed intricacy of the patterns and passages contained in here is heartwarming if even for its sheer proud pompousity.


Now, the typical manner of reviewing is to list some sonic comparisons, and though it's flawed and mostly lazy, it's still probably the best one is able to do. But to try and undertake such a list with this album would be to fill the volume of a telephone directory of namechecks. It would seem that Orphaned Land, while always suffusing every song with their own undeniable personality, do borrow a hell of a lot from other bands. I can here moments highly reminiscent of Steve Vai's 'Fire Garden Suite', while further digging reveals a little Melechsesh (actually quite a bit), the aforementioned Paradise Lost, very old Tiamat and damnit even a little Arcturus or late period Opeth. I guess listing like this however is redundant in trying to somehow sum up this overblown and diverse album, so just buy the thing and sort it out for yourself. What is most importnat, despite my suspicions of a little metal cherrypicking, is the band's continuing ability to write a great hook. "The Kiss of Babylon" and "A Call to Awake" are simply monstrous pieces of driving metal, consolidated permanently with some nice orchestral and keyboard workouts. Every element is executed with panache and confidence, and it seems that the geographical isolation of the band has, as with many bands of this ilk, resulted in a definitive and idiosyncratic output. This cd should also be taken as a lesson in real middle eastern metal by the blinkered legions who think Nile are the last word on the subject; listen to this beside Melechesh and you can just hear the inherent focus on the occidental that is a result of nature rather than nuture. And it sounds great. I heartily recommend this album to anyone with a progressive note in their ear, and indeed to anyone interested in big, grandiloquent and epic underground metal. In its scope, its rhythym and its quirky individuality, this has something to offer for a long time to come: maybe not another seven years though."
 
There's an interview with Orphaned Land and a review of "Mabool" in the last issue of Polish Metal Hammer. The album got 5/5 and the review ends with:
">>Mabool - The Story of the Three Sons of Seven<< proves that music can break any barriers if created purely with heart. A gem!" :)
It's not yet on that paper-cuts website, and I think I could get it scanned, but I don't understand a single word from that site, so where do I send it?
 
Not only the western berrier did the music break.. most important border that is open by Orphend Land is the Eastern world. We find more and more fans from Jordan, Lebanon, Syria, Iran, Egypt and more of these places.
Places which sounds to most of us as a foe country or maybe foe culture, is revealing it`s real face, its real nature and a common language for all of us.

This is one of the main reasons you and I are here, and why I personally love this band.
I think that the music world owns alot to these guys.