Reamping with a GT-10

diSEMBOWELMENT

New Metal Member
Jul 1, 2009
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Hey people!

New here, but I've been lurking for months and I gotta thank you all for the insane amounts of info and help you dish out here. Been wanting to post a couple of things but always thought it's better to figure it out on my own and not get flamed and have my blood pressure raised :P

I have read all the stuff that I could find on reamping and I do have a solid idea about the whole process and the equipment involved, but I have a couple of questions since I'm having this dilemma.

I have a Mackie Onyx Satellite and a Boss GT-10. With careful and thoughtful work on the GT-10 I believe I managed to get tones that rival (if not surpass) the POD stuff from the Boss unit. However I am still experimenting (already memorized the 150 page manual and still discovering new stuff).

The manual assumes that you know what each function "means". So basically it doesn't say whether you're basically getting a DI'ed output from the USB port if you place your digital out at the beginning of the chain or not. So my question is, how can I tell if the levels are correct and true? I would think the DI'ed recording would be all spikey and looks like it's begging for compression, but it doesn't look anything like that if I do the above.

Is there a way to find out whether the signal I'm getting there is good enough for reamping? The cool thing about the GT is that I can reamp with it easily (as the manual says but that's where the info stops) and I really like some of the tones I got out of it, but I am also considering reamping the band's album later on with better equipment if I get any, or if I manage to get nicer sounds from, say, ACME stuff or SoloC. You get my drift there.

The dilemma is the following: Should I just stop wondering and DI the guitars through my Onyx instrument input? Or do you think that doing so through the GT would yield "truer" results for reamping on the same?

The other confusing thing on the Onyx is that even through the instrument input the signal still has a "gain" knob that is tweakable. It's an analogue knob, and doesn't have a clear zero dB level. Should I just eye it through the DAW to a specific level?

I would appreciate the help and apologies in advance if the topic belongs somewhere that I couldn't figure out.
 
welcome aboard mate.
sorry I can't help you with your problem, but I'm sure there are some people on this board who will be able to help you when they find this thread in the EQIUPMENT SECTION.
 
Wow, I thought this would be a very easy question... considering the knowledge level I've seen here. Did I miss something? Or am I just being ignored?
 
do it through the onyx, seeing as there is some doubt about what the other unit is doing

Just tweak that analog control until you get a reasonable level coming in to your DAW.

I'm guessing the reason you didn't get many replies is that you wrote a lot of text to ask what is in effect a simple question
 
So I guess it doesn't matter whether the recorded signal is exactly as high as the original guitar output. And that I will have to tweak the level while reamping to get the best sound.

Thought the whole point of a DI box was to keep the original signal unaffected and only match impedences. Guess I was wrong.

Thanks, that helps!
 
The idea of a DI is that it does keep the original signal unaffected, although there may be changes in levels. Which doesn't really matter that much as long as it's within reasonable bounds (ie not clipping in your DAW and not so quiet you can hear lots of hiss).
You're always gonna be messing with levels when you come to reamp anyway, because the amp may in fact sound better with a quieter or louder input than your guitar would normally provide