I've been delving more and more into the realm of outboard recently and one of those nightmare scenarios is happening. I used a couple of outboard compressors on a mix, had the band come in and we finished it. I bounced out a mix for them to use and another in 24bit with no master chain incase they wanted to get it mastered elsewhere.
Couple of weeks later and they want to make some changes, and I have no idea what settings I used on the compressors. They are adamant about making some minor volume changes and I'm pretty worried that I'm gonna end up changing the sound alot in the process of re setting up the outboard.
So what do you guys do to get around this? Pictures? Sheets for drawing in the settings? I suppose I could print everything but if you're doing full albums is this not a hugely time consuming process since it HAS to be done in realtime.
I think in future I'm going to let bands know how much trouble a recall for some minor changes is going to be. I plan on using even more outboard in future mixes and can only imagine that it's impossible to get things exactly the same once a session is finished.
Couple of weeks later and they want to make some changes, and I have no idea what settings I used on the compressors. They are adamant about making some minor volume changes and I'm pretty worried that I'm gonna end up changing the sound alot in the process of re setting up the outboard.
So what do you guys do to get around this? Pictures? Sheets for drawing in the settings? I suppose I could print everything but if you're doing full albums is this not a hugely time consuming process since it HAS to be done in realtime.
I think in future I'm going to let bands know how much trouble a recall for some minor changes is going to be. I plan on using even more outboard in future mixes and can only imagine that it's impossible to get things exactly the same once a session is finished.